Friend Request
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- € 3,99
Beschrijving uitgever
A paranoid single mom is forced to confront the unthinkable act she committed as a desperate teenager in this addictive thriller with a social media twist.
Maria Weston wants to be friends. But Maria Weston is dead. Isn't she?
1989. When Louise first notices the new girl who has mysteriously transferred late into their senior year, Maria seems to be everything the girls Louise hangs out with aren't. Authentic. Funny. Brash. Within just a few days, Maria and Louise are on their way to becoming fast friends.
2016. Louise receives a heart-stopping email: Maria Weston wants to be friends on Facebook. Long-buried memories quickly rise to the surface: those first days of their budding friendship; cruel decisions made and dark secrets kept; the night that would change all their lives forever.
Louise has always known that if the truth ever came out, she could stand to lose everything. Her job. Her son. Her freedom. Maria's sudden reappearance threatens it all, and forces Louise to reconnect with everyone she'd severed ties with to escape the past. But as she tries to piece together exactly what happened that night, Louise discovers there's more to the story than she ever knew. To keep her secret, Louise must first uncover the whole truth, before what's known to Maria--or whoever's pretending to be her--is known to all.
PUBLISHERS WEEKLY
At the start of British author Marshall's suspenseful if heavy-handed first novel, recently divorced London single mom Louise Williams receives a startling friend request from Maria Weston, a high school classmate who disappeared on the night of their graduation party more than 25 years earlier, and was presumed drowned. Unfortunately, the emotionally vulnerable interior decorator can't simply ignore Maria's Facebook overture which is followed by an invitation to a class reunion in their hometown of Sharne Bay, Norfolk, and a series of increasingly alarming messages because of guilt over the part she believes she played in the tragedy, and fear that someone is finally about to make her pay. Raising the stakes is Henry, her young son with ex Sam Parker, another high school classmate (and about the only person who shares her guilty secrets). Marshall leaps skillfully back and forth between past and present, but her inexperience shows in hamfisted manipulation of characters to serve the plot, as well as transparent attempts at misdirection.
