Grief Is the Thing with Feathers
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3,8 • 4 beoordelingen
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- € 9,99
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- € 9,99
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** Order Shy, the Sunday Times number one bestseller from Max Porter, now **
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Winner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.
'Amazing and unforgettable.'THE TIMES
'Dazzlyingly good.' ROBERT MACFARLANE
'Unlike anything I've read before.' GUARDIAN
'Captivating, poetic, and surprising.' CILLIAN MURPHY
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him.
This extraordinary debut, full of unexpected humour and emotional truth, marks the arrival of a thrilling and significant new talent.
PUBLISHERS WEEKLY
Porter's first novel is a heartbreaking and life-affirming meditation on the dislocating power of grief. Events are presented from the viewpoint of three characters: a recently widowed dad, his two young boys, and a talking crow who, like Poe's raven, roosts in their house as a tangible symbol of the family's need to come to terms with their loss. The husband has been recently contracted to write a study of Ted Hughes's Crow (written after the death of Sylvia Plath, who is also referenced here), and like the Hughes's trickster Crow, this Crow shifts shape and personality to address the changing needs of the different family members. Porter's characters express their feelings through observations that are profound and simply phrased. The dad recalls the harmonious feeling of lives shared early in his marriage, "when our love was settling into the shape of our lives like cake mixture reaching the corners of the tin as it swells and bakes." The boys, dismayed at how protectively adults coddle them against the reality of their mother's death, wonder, "Where are the fire engines? Where is the noise and clamour of an event like this?" The powerful emotions evoked in this novel will resonate with anyone who has experienced love, loss, and mourning.
