Let Me Think
Stories
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- € 8,99
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- € 8,99
Beschrijving uitgever
A new collection of short fiction by the author of the cult classic Pieces for the Left Hand
Let Me Think is a meticulous selection of short stories by one of the preeminent chroniclers of the American absurd. Through J. Robert Lennon’s mordant yet sympathetic eye, the quotidian realities of marriage, family, and work are rendered powerfully strange in this rich and innovative collection.
These stories, most no more than a few pages, are at once experimental and compulsively readable, the work of an expert craftsman who can sketch whole lives in a mere handful of lines, or reveal, over pages, the boundless complexity of a passing thought. Here you’ll find a heist gone wrong, a case of mistaken identity, a hostile encounter with a neighborhood eccentric, a glass eye, a talking owl, and a six-fingered hand. Whatever the subject, Lennon disarms the reader with humor before pivoting to pathos, pain, and disappointment—most notably in an extraordinary sequence of darting, painfully funny fictions about a disintegrating marriage that captures the myriad ways intimacy can fail us, and the ways that we can fail it.
Like Lennon’s earlier story collection Pieces for the Left Hand, Let Me Think holds a mirror up to our long-held grudges and secret desires, our petty resentments and moments of redeeming grace, and confirms him as a virtuoso of the form.
PUBLISHERS WEEKLY
Lennon (Pieces for the Left Hand) deploys his trademark off-kilter, acrimonious humor in this arresting collection. A series of riffs on marriage are sprinkled throughout, involving spouses sparring in an atmosphere of feral domesticity: "Everything is ruin... even love," thinks an adulterous husband as he falls down the stairs in "Marriage (Whiskey)." There is a theatrical quality to the marital scenes, revealing not so much the inner lives of the combatants but their readiness to quip and wound. Other stories condense an entire history of filial resentment within one sculpted paragraph, as in "Polydactyly," about a boy born with six fingers on each hand. "Death (After)" gets the job done in one sentence: "I believe in the afterlife in the same way I believe in the afterparty: it may exist, but I'm not invited, and so will never find out." The "Cottage on the Hill" series is the standout, four eerie accounts of a man's visits to a rundown rental cabin at different points in his life, in which the place is drastically, sometimes inexplicably, changed each time. If some of the pieces fail to elicit more than a smirk or a nod, there are plenty that dig deep. Lennon has talent to spare.
