Like a Fading Shadow
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- € 7,49
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- € 7,49
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Shortlisted for The Man Booker International Prize 2018
On April 4th 1968, Martin Luther King was murdered by a man named James Earl Ray. Before Ray's capture and sentencing to 99 years' imprisonment, he evaded the FBI for two months as he crossed the globe under various aliases. At the heart of his story is Lisbon, where he spent ten days attempting to acquire an Angolan visa.
Like a Fading Shadow traces three journeys to the city: Ray's desperate attempt to evade justice in 1968; a research trip undertaken by the young Muñoz Molina for his breakthrough novel Winter in Lisbon in 1987; and the return journey taken by the novelist as he attempts to reconstruct these twin stories from the instability of the past, and interrogates his own obsession with one of the twentieth century's most notorious figures.
Aided by the recent declassification of James Earl Ray's FBI case file, Like a Fading Shadow boldly weaves a taut retelling of Ray's assassination of King, his time on the run and his eventual capture together with a highly original, fearlessly honest examination of the novelist's own past.
PUBLISHERS WEEKLY
Blurring fiction, memoir, and biography, the absorbing latest from Molina tells two stories: James Earl Ray's 10-day excursion to Lisbon while on the run after assassinating Martin Luther King Jr. in 1968, and the author's own research trip to the same city in 1987 when writing his first novel, A Winter in Lisbon. Ray, living under an alias, travels using a Canadian passport and chooses Lisbon on a whim. Once there, he sleeps with prostitutes, drinks, and attempts to gain passage to Rhodesia, where he believes the colony's white supremacist movement will embrace him. Nearly 20 years later, Molina, a new father, travels to Lisbon for the first time, looking for literary inspiration. As his travels to Portugal continue over the years, his marriage dissolves, he takes up with a new partner, and he becomes interested in Ray's brief stay. The novel reconstructs the past with incredible detail, and Molina spins multiple possibilities for moments when Ray's actions are uncertain. The result is a fascinating dual portrait of a writer looking into the clouded mind of a murderer.
