Lost for Words
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- € 4,99
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- € 4,99
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From the bestselling author of the Patrick Melrose novels, this is a thought-provoking and entertaining insight into a sniping world of literature, celebrity culture and ambition.
Each of the judges of the Elysian Prize for literature has a reason for accepting the job. For the chairman, MP Malcolm Craig, it is backbench boredom, media personality Jo Cross is on the hunt for a 'relevant' novel, and Oxbridge academic Vanessa Shaw is determined to discover good writing. But for Penny Feathers of the Foreign Office, it's all just getting in the way of writing her own thriller. Over the next few weeks they must read hundreds of submissions to find the best book of the year, and so the judges spar, cajole and bargain in order that their chosen title gets the recognition it deserves.
Meanwhile, a host of authors are desperate for Elysian glory, including brilliant writer and serial heart-breaker Katherine Burns, lovelorn debut novelist Sam Black, and Sonny, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm.
Lost for Words is razor-sharp and fabulously entertaining. It cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda.
PUBLISHERS WEEKLY
The latest from St. Aubyn (the Patrick Melrose novels) marks a departure from his previous work. This comedic novel chronicles a year in the life of the Elysium Prize, a fictional Booker-like British literary award. The Elysium is mired in scandal and incompetence from the get-go: the underwriting funds come from a dubious agribusiness conglomerate, the judging panel is marginally qualified, and the process of selecting a shortlist is more about alliances and favors than quality. St. Aubyn inserts some amusing parodies in the early part of the novel, including selections from wot u starin at, a crude Scottish drug novel, as well as All the World's a Stage, a dense historical work about Shakespeare. These surveyings of the terrain of Irvine Welsh, Hilary Mantel, and others are among the novel's highlights. In addition to following the judges, St. Aubyn devotes chapters to several would-be nominees. Katherine is a rising literary star whose publisher accidentally submits a cookbook instead of her latest manuscript; Sonny is an Indian prince who takes the slighting of his self-published opus, The Mulberry Elephant, as a grave personal affront. St. Aubyn is clearly having fun with this material, and the book is breezy and propulsive. Still, the satire isn't particularly deep, and none of the many characters in this short novel are featured long enough to make a lasting impression. A modest entertainment from a writer whose output had hitherto been uniformly exceptional.