Personal Injuries
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A portrayal of imperfect justice, Personal Injuries is Scott Turow's fifth Kindle County legal thriller.
Robbie Feaver is a successful personal injury lawyer, with a burgeoning practice, a way with the ladies and a beautiful wife he loves – who is dying of an incurable illness. He also has a secret bank account where he occasionally deposits funds which make their way into the pockets of judges who decide Robbie’s cases.
Robbie is apprehended and, in exchange for leniency, agrees to ‘wear a wire’ as he continues to try to fix decisions. The FBI agent assigned to supervise him goes by the alias of Evon Miller. She is stocky, lonely, uncomfortable in her skin, and impervious to Robbie’s charms. And she carries secrets of her own . . .
As the law tightens its net, Robbie’s and Evon’s stories will converge thrillingly and ultimately tragically . . .
PUBLISHERS WEEKLY
Unlike most of his fellow lawyer-novelists, Turow has always been more interested in character than plot, and in Robbie Feaver, a lawyer on the make who ends up fighting for his life, he has created his richest and most compelling figure yet. For years, Robbie has been paying off judges and squirreling away part of the riches he earns as a highly successful trial lawyer. When the IRS happens upon the money trail, and a top prosecutor leans on him to turn state's evidence and finger some of the corrupt justices, Robbie calls on George Mason, veteran Kindle County lawyer, to represent him and win the best deal he can. A complicating element in the case is Evon Miller, Mormon-born FBI agent in deep undercover, who is assigned to watch Feaver and finds herself, against her better inclinations, drawn to him--for Feaver is a character of almost Shakespearean contradictions. A charming, brash womanizer who nevertheless shows superhuman reserves of love and patience to his dying wife at home, he is always several jumps ahead of the prosecutors, the FBI and the reader, winning sympathy, even admiration, where there should be none. This patient account is fascinatingly detailed in the ways of the law and the justice system, of how Robbie zeroes in on the biggest target of all, only to be trumped at the last moment. It is also a deeply understanding look, in its portrait of Evon, of the motives that drive a solitary woman into police work (Thomas Harris's Clarice seems shallow by comparison). There are some remarkable narrative strategies--Turow deftly alternates a first-person and omniscient-author point of view, for example--but readers will not be concerned with technical details, only with the rare revelation of a paradoxical personality so compelling he makes the very adroit plot almost superfluous. 750,000 first printing; $500,000 ad/promo; first serial to Playboy; BOMC main selection; QPB selection; 9-city author tour; paperback rights to Warner; simultaneous Random House audio.
