![Sea Lovers](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![Sea Lovers](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
Sea Lovers
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- € 4,99
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- € 4,99
Beschrijving uitgever
Each of these twelve stories is a complete world, where ordinary lives are transformed, myths bloom into reality and the everyday is haunted by obsession and duplicity. A painter is made insufferable by success; a writer is driven to bury the evidence of his inadequacy. Metamorphosis fragments a marriage and beasts bear the consequences of human failings. Living creatures scratch out hauntings, rumours spread like fire. Fantastical beings are made flesh while mortals are engaged in a struggle that should be honourable but more often corrupts.
Lyrical and macabre, Valerie Martin's stories are wry and unexpected too. The question 'Are we animals, or are we something else?' is answered by an ancient proposition both whimsical and disturbing: we are neither and both.
PUBLISHERS WEEKLY
Martin (The Ghost of Mary Celeste) assembles the stories in this collection from declarative, unfurnished sentences that have the stocky feel of a translated text. It's a style that lends itself well to the spare, domestic situations a cat stuck in a salmon can, dinner party insults, relationship jealousy that she fixates on and then abruptly breaks from, ending stories in an open parabola. Martin even takes matters a step further, embellishing her quotidian situations with gothic detail. This title story, which is about mermaids, sits directly next to a story of marital unrest, in which a husband and wife idly discuss a gym membership; other stories combine the grotesque with the domestic, as in "The Consolation of Nature," a story about a family that becomes obsessed with killing a rat. Martin's characters, always self-aware but rarely empowered, begin and end most stories either feeling inferior or unsatisfied in a relationship, with sex acting merely as a dulling agent of mollification. Dramatic resolution isn't the point of this collection, to devastating effect quite literally in "The Unfinished Novel," perhaps the most affecting story, in which a man comes into contact with his ex-girlfriend and her unfinished manuscript of 20 years. This collection is rife with the unspoken cracks between people, and leaves a haunting, lingering impression.