The Black-Eyed Blonde
A Novel
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Raymond Chandler’s Philip Marlowe returns in The Black-Eyed Blonde—also published as Marlowe as by John Banville—the basis for the major motion picture starring Liam Neeson as the iconic detective.
"Somewhere Raymond Chandler is smiling . . . I loved this book. It was like having an old friend, one you assumed was dead, walk into the room."
—Stephen King
"It was one of those Tuesday afternoons in summer when you wonder if the earth has stopped revolving."
The streets of Bay City, California, in the early 1950s are as mean as they get. Marlowe is as restless and lonely as ever, and the private eye business is a little slow. Then a new client is shown in: blond, beautiful, and expensively dressed, she wants Marlowe to find her former lover.
Almost immediately, Marlowe discovers that the man's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest and most ruthless families—and developing a singular appreciation for how far they will go to protect their fortune.
“It’s vintage L.A., toots: The hot summer, rain on the asphalt, the woman with the lipstick, cigarette ash and alienation, V8 coupes, tough guys, snub-nosed pistols, the ice melting in the bourbon . . . . The results are Chandleresque, sure, but you can see Banville’s sense of fun.”
—The Washington Post
PUBLISHERS WEEKLY
Black (the pseudonym that John Banville uses for his crime fiction) isn't the first to tackle the daunting challenge of recreating the distinctive narrative voice of Raymond Chandler's world-weary, mean streets walking L.A. private eye, Philip Marlowe. Despite Robert B. Parker's lengthy experience in the PI genre, his sequel to The Big Sleep, Perchance to Dream, pales in comparison with Black's pitch-perfect recreation of the character and his time and place. As for the language, Black nails Chandler's creative and memorable similes and metaphors. When Marlowe shakes hands with someone, "It was like being given a sleek, cool-skinned animal to hold for a moment or two." The title character, Clare Cavendish, wanders into Marlowe's office to ask him to trace her lover, Nico Peterson, who disappeared two months earlier. The case appears to wrap up quickly after Marlowe learns that Peterson was the victim of a hit-and-run, but Cavendish has some major revelations in store. While the mystery is well plotted, Black elevates it beyond mere thoughtful homage with a plausible injection of emotion in his wounded lead. Author tour.
