The Legacy
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- € 3,99
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A sweeping drama set between contemporary England and turn of the century America - perfect for fans of Kate Morton, Santa Montefiore and Victoria Hislop
Two sisters. One heartbreaking secret. And a past that cannot stay buried.
In the depths of a harsh winter, Erica and Beth Calcott return to the house where they spent idyllic summers as children.
Erica sorts through her late grandmother's belongings, unearthing strange fragments of family history and vivid memories... Memories of their cousin, Henry, who disappeared one summer long ago, and of their grandmother, a bitter woman, full of a deep, dark hatred.
As Erica sifts through remnants of the past, a secret emerges, reaching all the way back to a beautiful heiress in turn-of-the-century Oklahoma. As past and present converge, Erica and Beth must come to terms with two terrible acts of betrayal and the heartbreaking legacy left behind.
Your favourite authors love Katherine Webb's sweeping historical dramas:
'An enormously talented writer' Santa Montefiore
'Webb have a true gift for uncovering the mysteries of the human heart and exploring the truth of love' Kate Williams
'Katherine Webb's writing is beautiful' Elizabeth Fremantle
'A truly gifted writer of historical fiction' Lucinda Riley
'Katherine's writing is rich, vivid and evocative' Iona Grey
PUBLISHERS WEEKLY
Webb's binary multigenerational epic unfolds in split narratives set in 1900s Oklahoma and the present-day U.K., revealing that secrets long buried still have the power to hurt. Sisters Erica and Beth Calcott return to Storton Manor in Wiltshire, England, to settle their late grandmother's estate, despite the painful memories the location stirs up: decades ago their cousin Henry mysteriously disappeared; the primary suspect at the time was "Dinny" Dinsdale, a local outcast and the first childhood crush for both Erica and Beth. As a girl, Erica was too young to grasp the details of Henry's fate, but 23 years later, now a strong and independent woman, she pleads with Dinny for answers, while older sister Beth, clinically depressed, wants to leave the past buried. Meanwhile, Erica discovers a photo of her great-grandmother Caroline posing with a mysterious baby in America, sparking an investigation into the mysteries of her ancestral history. Webb's (The Unseen) past and present, though equally realized, never intersect with much import; the two threads could easily exist as two independent books. Though the novel is choked with enough tragedy, melodrama, and lost love to make a soap opera dull in comparison, and recalls the work of V.C. Andrews, it will only truly grip fans of the genre.
