The Plot Against America
A Novel
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- € 13,99
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ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
“It's not a prophecy; it's a nightmare. . . . [A] sinuous and brilliant book, with its extreme sweetness, its black pain, and its low, ceaseless cackle.” —The New Yorker
“Huge, inflammatory, painfully moving. . . .Far and away the most outward-looking, expansive. . . book Roth has written." —The Washington Post Book World
“A terrific political novel. . . . sinister, vivid, dreamlike. . . creepily plausible." —The New York Times Book Review
“Ambitous and chilling . . . a breathtaking leap of imagination. . . . The writing is brilliant.”
—USA Today
In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.
For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threatens to destroy his small, safe corner of America—and with it, his mother, his father, and his older brother.
PUBLISHERS WEEKLY
During his long career, Roth has shown himself a master at creating fictional doppelg ngers. In this stunning novel, he creates a mesmerizing alternate world as well, in which Charles A. Lindbergh defeats FDR in the 1940 presidential election, and Philip, his parents and his brother weather the storm in Newark, N.J. Incorporating Lindbergh's actual radio address in which he accused the British and the Jews of trying to force America into a foreign war, Roth builds an eerily logical narrative that shows how isolationists in and out of government, emboldened by Lindbergh's blatant anti-Semitism (he invites von Rippentrop to the White House, etc.), enact new laws and create an atmosphere of religious hatred that culminates in nationwide pogroms.Historical figures such as Walter Winchell, Fiorello La Guardia and Henry Ford inhabit this chillingly plausible fiction, which is as suspenseful as the best thrillers and illustrates how easily people can be persuaded by self-interest to abandon morality. The novel is, in addition, a moving family drama, in which Philip's fiercely ethical father, Herman, finds himself unable to protect his loved ones, and a family schism develops between those who understand the eventual outcome of Lindbergh's policies and those who are co-opted into abetting their own potential destruction. Many episodes are touching and hilarious: young Philip experiences the usual fears and misapprehensions of a pre-adolescent; locks himself into a neighbor's bathroom; gets into dangerous mischief with a friend; watches his cousin masturbating with no comprehension of the act. In the balance of personal, domestic and national events, the novel is one of Roth's most deft creations, and if the lollapalooza of an ending is bizarre with its revisionist theory about the motives behind Lindbergh's anti-Semitism, it's the subtext about what can happen when government limits religious liberties in the name of the national interest that gives the novel moral authority. Roth's writing has never been so direct and accessible while retaining its stylistic precision and acute insights into human foibles and follies.
