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The Shape of Water is the first in Andrea Camilleri's wry, brilliantly compelling Sicilian crime series, featuring Inspector Montalbano.
When the body of respected and prominent engineer Silvio Luparello is discovered in the Pasture, a rubbish-strewn site brimming with drug dealers and prostitutes, the coroner’s verdict is death from natural causes – refreshingly unusual for Sicily.
But Inspector Salvo Montalbano of the Vigàta police force, as honest as he is streetwise and as scathing to fools and villains as he is compassionate to their victims, is not ready to close the case, despite pressure from Vigàta’s police chief, judge, and bishop.
Picking his way through a labyrinth of high-comedy corruption, carefully planted false clues, trigger-happy Mafia members, and delicious Sicilian fare, Montalbano can be relied on, whatever the cost, to get to the heart of the matter.
The Shape of Water is followed by the second in this phenomenal series, The Terracotta Dog.
Urbane Sicilian police inspector Salvo Montalbano, whose exploits have sold more than four million copies in Europe, makes his long overdue U.S. debut in this spare and spry English translation of the first novel in the series. When two garbage collectors find the body of local politician Silvio Luparello locked in his BMW with his pants down, in "the Pasture," the Vig ta town dump frequented by whores and drug dealers, the coroner rules that Luparello died of natural causes, despite clear evidence to the contrary. Montalbano refuses to oblige his superiors who want a hasty close to the case, and it will take a corrupt lawyer's murder to break it open. The author's view of Sicily is the all-too-common one of a poor and backward place that many would like to see separated from the rest of Italy. Camilleri's strength lies in his gallery of eccentric characters: Signora Luparello, the victim's admirably cool widow; Geg , a pimp and old classmate of Montalbano's; Giosue Contino, an 82-year-old schoolteacher who shoots at people because he thinks his 80-year-old wife is cheating on him; and Anna Ferrara, Montalbano's attractive deputy, "who every now and then, for whatever reason, would try to seduce him." Even the two garbage men have Ph.D.s. The maverick Montalbano doesn't hesitate to destroy clues or extract money from a crook to help a child, but his wrapping up the case by telling rather than showing, while acceptable to European audiences, may disappoint action-oriented American fans.