The Twist of a Knife
A Novel
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- € 24,99
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- € 24,99
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In New York Times bestselling author Anthony Horowitz’s ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation—and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne.
“I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over.
The truth is that Anthony has other things on his mind.
His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night.
The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it.
Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she’s out for revenge.
Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him.
But will Hawthorne take the call?
PUBLISHERS WEEKLY
Fair-play whodunits don't come much funnier than bestseller Horowitz's brilliant fourth mystery featuring a fictionalized version of himself as the bumbling sidekick to former detective inspector Daniel Hawthorne (after 2021's A Line to Kill). Hawthorne had convinced Horowitz to write three books chronicling some of Hawthorne's private investigations. With that contract fulfilled, Horowitz declines his partner's request to write another. Later, following the London debut of Horowitz's comic thriller play, Mindgame, theater critic Harriet Throsby pens a savage review, threatening the production's prospects. When she's found fatally stabbed in her home with a dagger given to Horowitz by the play's producer that bears Horowitz's fingerprints, he's arrested. The damning evidence mounts as his hair is found on Throsby's blouse, and video footage shows someone fitting his description near the crime scene right before the stabbing. When Horowitz is released while the investigation proceeds, he persuades Hawthorne to join him in probing the possible guilt of those involved in staging Mindgame. Clues are adroitly hidden in plain sight. This humorous homage to golden age closed-circle mysteries is not to be missed.
