Untold Stories
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- € 11,99
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- € 11,99
Publisher Description
Alan Bennett's first collection of prose since Writing Home takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Bennett, as always, is both amusing and poignant, whether he's discussing his modest childhood or his work with the likes of Maggie Smith, Thora Hird and John Gielgud. Also included are his much celebrated diaries for the years 1996 to 2004. At times heartrending and at others extremely funny,Untold Stories is a matchless and unforgettable anthology.
Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play.
'Perhaps the best loved of English writers alive today.' Sunday Telegraph
Untold Stories is published jointly with Profile Books.
PUBLISHERS WEEKLY
Bennett has been known to British audiences of radio, television, stage and screen for decades. In the United States, he's best known as the screenwriter of The Madness of King George and, perhaps, for his experiences with Miss Shepherd, an indigent woman who set up a succession of vans in his front yard for 15 years. Now he returns with a shaggy collection of autobiographical sketches, diary entries, considerations of art, architecture and other authors, as well as an account of his bout with colon cancer. Returning to the precincts of his straitlaced, working-class British background, Bennett reveals a lost world whose influence and mores have trailed him his entire life. He revisits the Leeds that he knew in the 1940s, where he was first exposed to music and theater, and where his parents, both shy and retiring people, set lack of pretension as the highest value. While he plays the old crank who is put upon by the world as it is, Bennett reveals an eye for detail and a feel for the complexity of human interactions. And though he laments at length his own late maturation physical, sexual and intellectual and lack of sophistication, he shows himself to have achieved a measure of happiness. B&w photos.
