Vertebrate Sound Production and Acoustic Communication

Vertebrate Sound Production and Acoustic Communication serves both as a tutorial introduction for newcomers and a springboard for further research for all scientists interested in understanding animal acoustic signals.
Vertebrate Vocal Production: An Introductory Overview by W. Tecumseh Fitch and Roderick A. SuthersFish Sound Production: An Exaptation? by Eric Parmentier and Michael L. FineVocal Sound Production and Acoustic Communication in Amphibians and Reptiles by Kaitlen Colafrancesco and Marcos Gridi-PappLocomotion-Induced Sounds and Sonations: Mechanisms,Communication Function, and Relationship with Behavior by Christopher James ClarkEmbodied Motor Control of Avian Vocal Production by Daniel N. Düring and Coen P. H. ElemansBiophysics of Vocal Production in Mammalsby Christian T. HerbstInfrasonic and Seismic Communication in the Vertebrates with Special Emphasison the Afrotheria: An Update and Future Directions by Peter M. Narins, Angela S. Stoeger, and Caitlin O’Connell-RodwellVocal Production by Terrestrial Mammals: Source, Filter, and Function by Anna M. Taylor, Benjamin D. Charlton, and David RebyVocal Learning and Auditory-Vocal Feedback by Peter L. TyackVertebrate Bioacoustics: Prospects and Open Problems by W. Tecumseh Fitch
About the Editors

Roderick A. Suthers is Professor in the Medical Sciences program at Indiana University Bloomington.

W. Tecumseh Fitch is Professor of Cognitive Biology at the University of Vienna.

Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University Chicago.

Arthur N. Popper is Professor Emeritus and Research Professor in the Department of Biology at the University of Maryland, College Park.

About the Series

The Springer Handbook ofAuditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.