Attention. Deficit. Disorder.
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- 55,00 kr
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- 55,00 kr
Publisher Description
An impressive debut from a major new voice in American fiction.
Days after his ex-girlfriend's suicide, Wayne flies to San Francisco for her funeral. When he learns that she aborted their child, Wayne embarks upon a search for meaning that takes him to unusual places and through some of the most influential events of the past ten years.
His journey takes him up and down the East Coast on foot, then over to Cuba where he meets the fishing guide who inspired Hemingway's The Old Man and the Sea, across the American West in an RV, ending up at the legendary Burning Man festival and an encounter with his soulmate, who turns out to be a six foot three giant of a woman in a purple cowboy hat.
Brad Listi's novel is a dazzling exploration of love and death that just so happens to include some drugs, prostitutes, naked cycling, Mantovani and the ingredients for a Molotov cocktail. It is one of the most inventive and rewarding debuts in years.
Attention. Deficit. Disorder. is the first great road novel of the 21st century.
Reviews
“In his graceful debut novel, Brad Listi evokes a portrait of grief that is weird and true. At once an adventure and a deep character study, Attention. Deficit. Disorder. is a book you'll want to share.”
Owen King, author of We're All In This Together
“An ironic, often humorous take on the anomie of youth”
People magazine
About the author
Brad Listi is the author of the bestselling novel Attention. Deficit. Disorder. and the founder of the online literary collective TheNervousBreakdown.com. He lives in Los Angeles.
PUBLISHERS WEEKLY
The title of Listi's debut diagnoses the novel's malady: a jangly, unfocused plot that caroms off pop cultural flotsam in an attempt to evoke the potpourri of postmodern existence. This lurching ride begins as 20-something Wayne Fencer, a defeated day-trader and idling pizza delivery boy with a B.F.A. in avant-garde filmmaking, attends the funeral of an ex-girlfriend in San Francisco who has committed suicide. Wayne can find few words of condolence and instead strafes the reader with a fusillade of facts on suicide, death and mourning, a distancing device that Listi relies on throughout the novel. The news that Wayne's ex aborted his child in college sends the narrative machinery sputtering to life, with Listi shuttling his hero across the country (after jaunts to Mexico and Cuba) in a neo-beatnik search for meaning. Wayne's encounters trigger all manner of intrusive digression, from boldface definitions of key words (e.g. "pheramone," "megalopolis," "absinthe") to bulky movie plot summaries that detract from the novel's story. With this Trivial Pursuit like tic, Listi aims to capture the fragmented worldview of a coolly detached generation, but a few wedges are missing.
