



Candy Darling
Dreamer, Icon, Superstar
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- 129,00 kr
Publisher Description
A Best Book of the Year: Kirkus, The Brooklyn Public Library, NBC New York
A National Book Critics Circle Award Finalist
A New York Times Book Review Editors’ Choice
A Best Book of the Year (So Far): W magazine
A Must-Read: The New York Times Book Review, Nylon, Star Tribune, Ms., Kirkus Reviews, The Bay Area Reporter, Town & Country, InsideHook, San Francisco Chronicle
“[A] monumental biography.” —Hilton Als, The New Yorker
“A rich portrait of a glittering, communal, and bygone NYC . . . [and] of the glamorous queer icon.” —Arimeta Diop, Vanity Fair
From the acclaimed biographer Cynthia Carr, the first full portrait of the queer icon and Warhol superstar Candy Darling.
You must always be yourself no matter what the price . . . Don’t dare destroy your passion for the sake of others.
The Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world.
Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max’s Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.
Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: “I shall try to be grateful for life . . . Cannot imagine who would want me.” Candy died at twenty-nine in 1974, just as conversations about gender and identity were beginning to enter the broader culture. She never knew it, but she changed the world.
Brimming with all the fizz and wildness of New York in the 1960s and ’70s, this is the first biography of this extraordinary figure—an unintentional pioneer who became an icon. Cynthia Carr’s Candy Darling is packed with tales of luminaries, gossip, and meticulous research, laced with Candy’s words and her friends’ recollections, and signals Candy’s long-overdue return to the spotlight.
Includes 16 pages of color photographs
APPLE BOOKS REVIEW
Known as one of Andy Warhol’s “superstars,” transgender actress Candy Darling was beautiful, glamorous, and genuinely talented, appearing in mainstream movies like Jane Fonda’s Klute and co-starring in a Tennessee Williams play at the author’s request. But as journalist Cynthia Carr reveals in this fascinating biography, Candy’s success was set against a tragic and far-too-short life story. Even in the anything-goes atmosphere of 1960s Greenwich Village, Candy didn’t fit in. (A bouncer even had barred her from the Stonewall Inn shortly before the famous riots there kicked off the gay liberation movement.) Writing with full access to the late icon’s diaries, as well as years of interviews with intimates and acolytes, Carr has created the most well-rounded, engaging bio of the cult icon imaginable.
PUBLISHERS WEEKLY
Journalist Carr (Fire in the Belly) provides a vivid biography of trans actor, model, and Warhol "superstar" Candy Darling. Born in 1944, Darling was raised as a boy in suburban Massapequa Park, Long Island, where she was the target of an abusive father and school bullies. She started identifying as female in her late teens and, during frequent trips to Manhattan, became involved in Greenwich Village's queer and bohemian circles, through which she met other trans artists and landed in the orbit of Andy Warhol. Capturing the contrast between the glamorous and hardscrabble aspects of her subject's life, Carr notes that even as Darling acted in the Warhol-produced films Flesh and Women in Revolt, modeled for fashion photographer Richard Avedon, and starred in avant-garde theater productions, she was almost always without reliable income or steady housing, "doing sex work when necessary and occasionally sleeping on floors in the worst hotels." In 1974, Darling died of stomach cancer. Carr provides an evocative look inside the Greenwich Village scene in its 1960s heyday ("The ‘counterculture' had begun to percolate in the Village's shabby venues—where artists were showing things no one was supposed to see, saying things no one was supposed to hear"), and the extensive research draws on Darling's personal papers and interviews with her friends. It's an unparalleled close-up of a pop culture icon.