For One More Day
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- 65,00 kr
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- 65,00 kr
Publisher Description
A HEART-BREAKING, HOPEFUL NOVEL FROM THE MASTER STORYTELLER WHOSE BOOKS HAVE TOUCHED THE HEARTS OF OVER 40 MILLION READERS
'Mitch Albom sees the magical in the ordinary' Cecilia Ahern
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As a child, Charley Benetto was told by his father, 'You can be a mama's boy or a daddy's boy, but you can't be both.' So he chooses his father, only to see him disappear when Charley is on the verge of adolescence.
Decades later, Charley is a broken man. His life has been destroyed by alcohol and regret. He loses his job. He leaves his family. When he discovers that he won't be invited to his only daughter's wedding he realises he has hit rock bottom.
Charley makes a midnight ride to his small hometown; his final journey before he ends his life. But as he staggers into his old house, he makes an astonishing discovery. His mother - who died eight years earlier - is there to welcome Charley home. What follows is the one seemingly ordinary day so many of us yearn for: a chance to reconcile with someone lost to us, to understand family secrets and to seek forgiveness from a person we love.
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WHAT READERS SAY ABOUT FOR ONE MORE DAY
'Superb read, Mitch Albom has a way of writing to reach the soul of the reader'
'Ground-breaking . . . The amount of impact this book has had on my life is indescribable!'
'Mitch Albom makes you think about life . . . a book you can read again and again, and keep learning'
'Another awesome read by Albom. One of the most amazing writers of our generation'
'I absolutely love Mitch Albom. His stories always reduce me to real tears and laughter'
PUBLISHERS WEEKLY
In this first novel from Tuesdays with Morrie and The Five People You Meet in Heaven author Albom, grief-stricken Charles "Chick" Benetto goes into an alcoholic tailspin when his always-attentive mother, Pauline, dies. Framed as an "as told to" story, Chick quickly narrates her funeral; his drink-fueled loss of savings, job ("sales") and family; and his descent into loneliness and isolation. After a suicide attempt, Chick encounters Pauline's ghost. Together, the two revisit Pauline's travails raising her children alone after his father abandons them: she braves the town's disapproval of her divorce and works at a beauty parlor, taking an extra job to put money aside for the children's education. Pauline cringes at the heartache Chick inflicted as a demanding child, obnoxious teen and brusque, oblivious adult chasing the will-o'-the-wisp of a baseball career. Through their story, Albom foregrounds family sanctity, maternal self-sacrifice and the destructive power of personal ambition and male self-involvement. He wields pathos as if it were a Louisville Slugger shoveling dirt into Pauline's grave, Chick hears her spirit cry out, " 'Oh, Charley. How could you?' " but Albom often strikes a nerve on his way to the heart.
