Reading Genesis
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- 199,00 kr
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- 199,00 kr
Beskrivelse fra utgiveren
A brilliant and dramatic close reading of the first book of the Bible focussing on the complex relationship with humankind
'A work of exceptional wisdom and imagination' DR ROWAN WILLIAMS, DAILY TELEGRAPH
'Rich and provoking... Robinson has masterfully traced a sense of wonder back to its ancient, remarkable source' JULIAN COMAN, OBSERVER
'Reading Genesis is alive with questions of kindness, community and how to express what we so often struggle to put into words' NEW YORK TIMES MAGAZINE
For generations, the Book of Genesis, included in its entirety here, has been treated by scholars as a collection of documents by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherence, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true.
Marilynne Robinson's approach is different. Hers is one of an appreciation of Genesis for its greatness as literature, for its rich articulation and exploration of themes that resonate through the whole of Scripture. She illuminates the importance of the stories of, among others, Adam and Eve; Noah and his ark; the rivalry of Cain and Abel; and the father and son drama of Abraham and Isaac, to consider the profound meanings and promise of God's enduring covenant with humankind. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.
PUBLISHERS WEEKLY
Novelist Robinson (The Death of Adam) offers a dense yet immersive close reading of the book of Genesis. Employing literary and theological lenses, the author frames the biblical book as an exemplary narrative and the figures within it as characters with agency, motive, and backstory. For example, Jacob is a trickster who schemes with his mother to steal his brother's blessing, while his "young, bright, and self-infatuated" son, Joseph, proves "blind or indifferent to the resentment that is stirring around him... in literary terms, a great character." Writing that "the text perfected very early the art of showing rather than telling," Robinson skillfully melds her literary interpretation with her theological one, offering a Christian Calvinist reading that centers God's goodness and grace ("Grace modifies law. Law cannot limit grace"). From that theological stance, she explores God's willingness to form a covenant—and generally put up—with imperfect humans, his "too-brilliant creatures." Like the biblical book it explicates, Robinson's offering is demanding, intense, and best read slowly. Patient readers will be rewarded.