Sam Patch, the Famous Jumper
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- 105,00 kr
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- 105,00 kr
Publisher Description
The true history of a legendary American folk hero
In the 1820s, a fellow named Sam Patch grew up in Pawtucket, Rhode Island, working there (when he wasn't drinking) as a mill hand for one of America's new textile companies. Sam made a name for himself one day by jumping seventy feet into the tumultuous waters below Pawtucket Falls. When in 1827 he repeated the stunt in Paterson, New Jersey, another mill town, an even larger audience gathered to cheer on the daredevil they would call the "Jersey Jumper." Inevitably, he went to Niagara Falls, where in 1829 he jumped not once but twice in front of thousands who had paid for a good view.
The distinguished social historian Paul E. Johnson gives this deceptively simple story all its deserved richness, revealing in its characters and social settings a virtual microcosm of Jacksonian America. He also relates the real jumper to the mythic Sam Patch who turned up as a daring moral hero in the works of Hawthorne and Melville, in London plays and pantomimes, and in the spotlight with Davy Crockett—a Sam Patch who became the namesake of Andrew Jackson's favorite horse.
In his shrewd and powerful analysis, Johnson casts new light on aspects of American society that we may have overlooked or underestimated. This is innovative American history at its best.
PUBLISHERS WEEKLY
Little is known of daredevil Sam Patch (1800 1829). When he was seven, Patch, his mother and siblings were working in the mills of Pawtucket, R.I. The waterfalls that powered the mills attracted working boys like Sam, who'd compete at jumping from the heights. In his mid-20s, Patch moved to Paterson, N.J., where he worked as a skilled mule spinner. In September 1827, he made his first spectacular jump right over Paterson's Passaic Falls which he repeated the following July 4, declaring his motto: "Some things can be done as well as others." After Paterson, Patch jumped from a high cataract in Hoboken harbor, over Niagara Falls and over the Genesee Falls in Rochester, N.Y., where on a second leap, probably intoxicated, he died. Johnson, a history professor at the University of South Carolina, warns readers in his preface that Patch is a "front-porch story" there isn't much of a story, but some interesting meanders. While Johnson makes a strong case that Patch was thumbing his nose at the capitalists with his Passaic Falls jumps, he admits that after Paterson, Patch was more interested in being a "showman and a celebrity" than in knocking anyone's politics, unless staying drunk can be interpreted as a political statement (which Johnson sometimes implies). In the end, Patch's handful of spectacular jumps just can't carry so much political baggage. Still, readers interested in shifting class dynamics in early Pawtucket, Paterson and Rochester may find some suggestive material here. 12 b&w illus.
