The Adventures of Alexander von Humboldt
-
- 105,00 kr
-
- 105,00 kr
Publisher Description
Meet Alexander von Humboldt: the great lost scientist, visionary, thinker and daring explorer; the man who first predicted climate change, who has more things named after him than anyone else (including a sea on the moon), and who has inspired generations of writers, thinkers and revolutionaries . . .
In The Adventures of Alexander von Humboldt, 88-year-old Humboldt takes us on a fantastic voyage, back through his life, tracing his footsteps around the rainforests, mountains and crocodile-infested rivers of South America when he was a young man. Travel with him to Venezuela, to Lake Valencia, the Llanos and the Orinocco, and follow him during his time in Cuba, Cartagena, Bogota and his one-year trek across the Andes, as he climbs the volcano Chimborazo, explores Inca monuments, and visits Washington D.C. to meet Thomas Jefferson and campaign for the abolition of slavery.
With encounters with indigenous peoples, missionaries, colonists and jaguars, and incorporating Humboldt's own sketches, drawings and manuscripts, this is a thrilling adventure story of history's most daring scientist.
PUBLISHERS WEEKLY
In this successor to Wulf's Alexander von Humboldt biography The Invention of Nature, Wulf and illustrator Melcher gloriously depict the explorer and polymath's grueling five-year journey through the Americas, lionizing him along the way. Beginning in 1799 and ending in 1804, Humboldt's expedition with botanist Aim Bonpland led him through the jungles, volcanoes, and savannahs of South America and Mexico, eventually terminating in Washington, D.C. Humboldt's work would go on to form the basis for much of modern environmental and conservation science, as Wulf points out in frequent allusions to his impact on figures such as Charles Darwin and Sim n Bol var. Though Melcher's crowded layouts sometimes impede legibility, her use of pen, ink, and watercolors with collaged mixed media (including samples from Humboldt's journals and sketches) lends a playful quality to the narrative, recalling Lauren Redniss's Radioactive. Less successful is Wulf's tendency to highlight Humboldt's anticolonialist writing while only briefly disclaiming, for instance, his theft of sacred, buried skeletons. Wulf also makes an unfortunate choice to combine Humboldt's many servants into an amalgam named only Jose, to whom Humboldt condescendingly explains Aztec history. Wulf and Melcher create an alluring narrative in dramatizing Humboldt's adventures for a generation that has forgotten him, but they fail to unpack the baggage of his tangled legacy.
