When the World Stopped to Listen
Van Cliburn's Cold War Triumph, and Its Aftermath
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- 129,00 kr
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- 129,00 kr
Publisher Description
From the acclaimed author of A Natural History of the Piano, the captivating story of the 1958 international piano competition in Moscow, where, at the height of Cold War tensions, an American musician showed the potential of art to change the world.
April of 1958--the Iron Curtain was at its heaviest, and the outcome of the Tchaikovsky International Piano Competition seemed preordained. Nonetheless, as star musicians from across the globe descended on Moscow, an unlikely favorite emerged: Van Cliburn, a polite, lanky Texan whose passionate virtuosity captured the Russian spirit.
This is the story of what unfolded that spring--for Cliburn and the other competitors, jurors, party officials, and citizens of the world who were touched by the outcome. It is a behind-the-scenes look at one of the most remarkable events in musical history, filled with political intrigue and personal struggle as artists strove for self-expression and governments jockeyed for prestige. And, at the core of it all: the value of artistic achievement, the supremacy of the heart, and the transcendent freedom that can be found, through music, even in the darkest moments of human history.
PUBLISHERS WEEKLY
Unlike Nigel Cliff's recent book on the same topic, Moscow Nights, Isacoff's well-researched account of the inaugural Tchaikovsky Competition in Moscow in 1958 focuses less on politics and more on piano and Van Cliburn, who won that competition. While researching the book, he talked to an impressive list of pianists and others of all nationalities, and even unearthed the second-round scorecard, laying to rest the question of how Sviatoslav Richter voted. There are touching stories, such as the reconciliation of the long-feuding judges Heinrich Neuhaus and Alexander Goldenweiser, but there are also unnecessary cul-de-sacs, including details of Spaso House, the residence of the U.S. ambassadors to the Soviet Union (and now to Russia). Isacoff (The Natural History of the Piano) keeps the musicology to a minimum, but there are some head-scratching passages, such as when he talks about the "physical separation that exists between the pianist sitting at one end of the instrument and the piano's hammers hitting the strings at the other." He also hints at a New York Times led conspiracy to promote Cliburn. "Where was the New York Times" when Leon Fleisher won the Queen Elisabeth Competition in 1952, he asks. The fact that Isacoff wrote this book and not one about Fleisher and the Queen Elisabeth would seem its own best answer.
