Cahokia Jazz
From the prizewinning author of Golden Hill 'the best book of the century' Richard Osman
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- $19.99
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- $19.99
Publisher Description
A thrilling tale of murder and mystery in a city where history has run a little differently -- from the best-selling author of Golden Hill.
'Utterly immersive.' Spectator
'Thrilling.' Financial Times
'Unlike anything else you will read this year.' Daily Express
'A classic of alternative history.' Observer
'A delight.' Sunday Telegraph
It's 1922 and Americans are drinking in speakeasies, dancing to jazz, stepping quickly to the tempo of modern times. In the ancient city of Cahokia - a teeming industrial metropolis, a tinderbox of every race and creed - peace holds. Just about.
But on a snowy night at the end of winter, two roughshod detectives are called to the roof of a skyscraper. Their investigation will spill the city's secrets and bring it, against a soundtrack of wailing clarinets, either to destruction or rebirth.
What readers are saying:
***** 'A marvellous, atmospheric, beautifully written and gripping read that dares to hope, amidst a background of bleak darkness and the pulsing joy of jazz, that I recommend highly.'
***** 'Original, imaginative, thought provoking, engrossing, engaging and beautifully written with characters who are credible and engaging. What more is there to ask for from a master at the top of his game. I enjoyed this as much as Golden Hill, which is praise indeed.'
***** 'The Yiddish Policemen's Union is an obvious point of comparison; I also got echoes of James Ellroy, though with more light in the darkness, or maybe just a greater readiness to forgive humanity's failings. There's perhaps a dash of Earthly Powers too, and at least one nod to The Leopard; exalted company, to be sure, but Cahokia Jazz can hold its head high among them.'
PUBLISHERS WEEKLY
Spufford (Light Perpetual) sets his clever latest in an alternate America where the Indigenous population wasn't decimated by the European-borne smallpox epidemic in the 16th century. The resulting change is best exemplified by the city of Cahokia in 1922, where Indigenous people rule hereditarily and are integrated with white and Black populations. Det. Joe Barrow and his corrupt white partner, Phineas Drummond, are called to the rooftop of the Land Trust building, where a dead body has been discovered, eviscerated and missing its heart. Early indications point to an Aztec ritual sacrifice. But the two detectives soon find a link to the local KKK, whose goal is to rid the city of Indigenous rule. Barrow quickly realizes he is in over his head trying to expose a conspiracy that involves a German American bootlegger, a munitions tycoon, an Indigenous femme fatale, and maybe even the Cahokia PD. This richly imagined and densely plotted story refreshes the crime genre and acts as a fun house mirror reflection of contemporary attitudes toward race—all set to a thumping jazz age soundtrack. Standing alongside Orson Scott Card's Alvin Maker series and Michael Chabon's The Yiddish Policemen's Union, this is a challenging evocation of an America that never was.
