Half a Life
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- $16.99
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- $16.99
Publisher Description
'Half my life ago, I killed a girl.'
So begins acclaimed novelist Darin Strauss' Half a Life, the true story of how one outing in his father's Oldsmobile resulted in the death of a classmate and the beginning of a different, darker life for the author. The police assured him there was nothing he could have done to avoid hitting Celine's swerving bike, but for half his life Strauss has grappled with desperate feelings of remorse and self-blame. Here he lays bare his history – collision, funeral, the queasy drama of a high-stakes court case – and what starts as a personal tale of a tragic event opens into the story of how to live with a very hard fact: we can try our human best in the crucial moment, and it might not be good enough.
Half a Life is a nakedly honest, ultimately hopeful examination of guilt, responsibility, and living with the past.
'More than simply brave, it is a searingly self-disciplined work of literature, and of self-examination … After all that admirable work and all that attentive detail, when he does finally reach a place of cautious hope, the impact is staggering and unforgettable.' — Elizabeth Gilbert, author of Eat, Pray, Love
'Precise, elegantly written, fresh, wise, and very sad. Rich and meaningful, the care and thought that have gone into every line of Half a Life are indicative not only of a very talented writer, but of a proper human being.' — Nick Hornby
'At the center of this elegant, painful, stunningly honest memoir thrums a question fundamental to what it means to be human: What do we do with what we've been given?' — New York Times Book Review
'A mesmerising memoir by a skilled writer.' — Herald Sun
'Crisp and understated... This meditation on loss and remorse must have been a nightmare to write but is subtle, moving, and quietly brilliant.' — The Age
'Half a Life inspires admiration, sentence by sentence…This artfully and simply presented book could be read in a few hours, but its intensity commands more attention. This is memoir in its finest form, a fully imagined and bittersweet book that transcends a single misstep.' — Chicago Tribune (Editor's Pick)
PUBLISHERS WEEKLY
Strauss's spare memoir begins with a confession: "Half my life ago, I killed a girl." Strauss (The Real McCoy) readily acknowledges the problems of writing about this event, the result of a moment's distraction trying to avoid aestheticizing reality, questioning his own self-involvement, admitting to playing a role of contrition, even remarking that " tragedy turns a life into an endless publicity tour, a string of appearances where you actually think in words like tragedy'" yet a discomfiting tone pervades, and some of the author's concerns, such as those related to public perception, may alienate readers. As Strauss breezes through key events that span over a decade, he reminds us that life seldom involves the drama of deep atonement, epiphanies, unadulterated grief, or nightmarish flashbacks. A much more complicated mixture of selfish relief, sadness, and survivor's guilt informs the aftermath of unthinkable events, and what proves most frightening is the gradual awareness that one has begun to forget; forgetting contains not just the drive to move ahead, but also the fear of erasure. Strauss delivers an unexpected take on remorse with the maturity that only comes from earnest reflection.