Half-Life of a Stolen Sister
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- $18.99
Publisher Description
Reimagines the lives of the Brontë siblings—Charlotte, Emily, Anne, and brother Branwell—from their precocious childhoods, to the writing of their great novels, to their early deaths.
A form-shattering novel by an author praised as “laugh-out-loud hilarious and thought-provokingly philosophical” (Boston Globe).
How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? In her new novel, Rachel Cantor melds biographical fact with unruly invention to illuminate the siblings’ genius, their bonds of love and duty, periods of furious creativity, and the ongoing tolls of illness, isolation, and loss.
As it tells the story of the Brontës, Half-Life of a Stolen Sister itself perpetually transforms and renews its own style and methods, sometimes hewing close to the facts of the Brontë lives as we know them (or think we know them), and at others radically reimagining the siblings, moving them into new time periods and possibilities.
Chapter by chapter, the novel brings together diaries, letters, home movies, television and radio interviews, deathbed monologues, and fragments from the sprawling invented worlds of the siblings’ childhood. As it does so, a kaleidoscopic portrait emerges, giving us with startling intensity and invention new ways of seeing—and reading—the sisters who would create some of the supreme works of literature of all time.
PUBLISHERS WEEKLY
Cantor (Good on Paper) spins a free-ranging and intriguing tale of a literary family inspired by the Brontës that incorporates a mix of forms and anachronistic details. Maria, Eliza, Charlotte, Branwell, Emily, and Anne Brontey grow up in early 19th-century Yorkshire, England. Their mother dies soon after Anne is born, and their father, a pastor, is a kindly but inattentive parent. After Maria and Eliza die from an illness, their aunt reluctantly takes charge of a dirty and chaotic household, while their father lectures on morality. Kept out of school, the surviving sisters are self-educated, visiting museums and libraries to learn about ancient Greece, famous historical figures, and mythology, elements they use in their elaborate world of play. Cantor's frisky and time-collapsing blend of forms elevates the experiment above run-of-the-mill Brontë fodder. In one chapter, titled "Send. Delete," Charlotte, away working unhappily as a nanny, uses her charge's computer to draft a series of emails addressed to her family back home; in another, a publisher of three pseudonymous authors fields questions from a radio interviewer about the authors' identities. These flights of fancy blend seamlessly with passages written in a Victorian style, such as an account of Charlotte and Emily studying art history in Rome, where Charlotte agonizes over unrequited love. For Brontë fans, this is a jolt of fresh air.