Laurel Canyon
The Inside Story of Rock-and-Roll's Legendary Neighborhood
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4.0 • 1 Rating
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- $18.99
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- $18.99
Publisher Description
Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA.
In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians who lived and worked there scored dozens of landmark hits, from "California Dreamin'" to "Suite: Judy Blue Eyes" to "It's Too Late," selling tens of millions of records and resetting the thermostat of pop culture.
In Laurel Canyon, veteran journalist Michael Walker tells the inside story of this unprecedented gathering of some of the baby boomer's leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed.
PUBLISHERS WEEKLY
Beginning in the mid-1960s, a string of successful rock bands emerged out of Laurel Canyon, a neighborhood of Los Angeles tucked away in the hills north of Sunset Boulevard. From the success of bands like the Byrds and the Mamas and the Papas, and singer-songwriters like Joni Mitchell and Jimmy Webb, Walker proposes Laurel Canyon as rock's answer to Jazz Age Paris. It's a plausible concept, but one he stumbles to elaborate past the length of a magazine feature. The journalist, who lives in Laurel Canyon, delivers strong material on some of the musicians he cites, particularly in early chapters about Crosby, Stills & Nash and Frank Zappa, but offers little about other equally significant acts. Instead, he pads the story with lengthy sections on groupies and the music scene in other parts of the city, the Altamont concert (which was hundreds of miles away) and a digression on the history of cocaine. Furthermore, his enthusiasm for the Laurel Canyon legend leads to shaky critical pronouncements. If "the folk stars of the early 1960s were the first rock stars," for example, then what was Elvis? 8 pages of b&w photos.
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