"Oliver Twist" is Charles Dickens' second novel. Like many of his books, it was first published in monthly instalments. Its first instalment came out in 1837, and its final chapters eventually came out in 1839.
The first chapters of Dickens’s first “true” novel, "Oliver Twist", which he began to write concurrently with the picaresque adventures of Mr. Pickwick, form a hard-hitting satire on the inhuman cruelties of the New Poor Laws of 1834. These dictated that society’s jobless and desperate should be virtually imprisoned in harsh institutions known as workhouses. Into one of these a little bastard boy is born—the lowest of the low, christened Oliver Twist by a pompous parish official, Mr. Bumble the beadle. Yet Oliver is in fact a gentleman by blood, with a fortune awaiting him, for his story is also a romance of origins, a battered child’s wish fulfilment.
It is a gritty, realistic novel that is full of Dickens' trademark satire on class and whatnot. Even if you haven't read it, you've probably seen one of the dozen or so movies based on it.
The inimitable Martin Jarvis brings his talents to bear on Charles Dickens's classic in an audiobook that will delight listeners with its superb recreations of gritty 19th-century London. To escape Mr. Bumble and life in the workhouse, Oliver flees to London where he meets the Artful Dodger and becomes embroiled with Fagin's ragtag band of thieves. Jarvis simply dazzles: his performance captures both the humor and sorrow of the text, his narration is crisp, and his characterizations his rendition of the terrifying district magistrate, Mr. Fang, is particularly memorable are as varied as they are energetic, befitting, and enjoyable.