People of the Book
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4.0 • 1 Rating
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- $15.99
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- $15.99
Publisher Description
As meticulously researched as all of Brooks' previous work, People of the Book is a gripping and moving novel about war, art, love and survival.
When Hanna Heath gets a call in the middle of the night in her Sydney home about a precious medieval manuscript that has been recovered from the smouldering ruins of war-torn Sarajevo, she knows she is on the brink of the experience of a lifetime. A renowned book conservator, she must now make her way to Bosnia to start work on restoring the Sarajevo Haggadah - a Jewish prayer book - to discover its secrets and piece together the story of its miraculous survival. But the trip will also set in motion a series of events that threaten to rock Hanna's orderly life, including her encounter with Ozren Karamen, the young librarian who risked his life to save the book. As meticulously researched as all of Brooks' previous work, People of the Book is a gripping and moving novel about war, art, love and survival. Shortlisted for the 2009 Prime Minister's Literary Awards. Australian Book Industry Awards Book of the Year. 'an imaginative tour de force' Good Weekend 'intelligent, thoughtful, gracefully written and original' Washington Post 'a fearless and engaging writer' Courier-Mail
PUBLISHERS WEEKLY
SignatureReviewed by Margot LiveseyReading Geraldine Brooks's remarkable debut novel, Year of Wonders, or more recently March, which won the Pulitzer Prize, it would be easy to forget that she grew up in Australia and worked as a journalist. Now in her dazzling new novel, People of the Book, Brooks allows both her native land and current events to play a larger role while still continuing to mine the historical material that speaks so ardently to her imagination. Late one night in the city of Sydney, Hanna Heath, a rare book conservator, gets a phone call. The Sarajevo Haggadah, which disappeared during the siege in 1992, has been found, and Hanna has been invited by the U.N. to report on its condition.Missing documents and art works (as Dan Brown and Lev Grossman, among others, have demonstrated) are endlessly appealing, and from this inviting premise Brooks spins her story in two directions. In the present, we follow the resolutely independent Hanna through her thrilling first encounter with the beautifully illustrated codex and her discovery of the tiny signs a white hair, an insect wing, missing clasps, a drop of salt, a wine stain that will help her to discover its provenance. Along with the book she also meets its savior, a Muslim librarian named Karaman. Their romance offers both predictable pleasures and genuine surprises, as does the other main relationship in Hanna's life: her fraught connection with her mother.In the other strand of the narrative we learn, moving backward through time, how the codex came to be lost and found, and made. From the opening section, set in Sarajevo in 1940, to the final section, set in Seville in 1480, these narratives show Brooks writing at her very best. With equal authority she depicts the struggles of a young girl to escape the Nazis, a duel of wits between an inquisitor and a rabbi living in the Venice ghetto, and a girl's passionate relationship with her mistress in a harem. Like the illustrations in the Haggadah, each of these sections transports the reader to a fully realized, vividly peopled world. And each gives a glimpse of both the long history of anti-Semitism and of the struggle of women toward the independence that Hanna, despite her mother's lectures, tends to take for granted.Brooks is too good a novelist to belabor her political messages, but her depiction of the Haggadah bringing together Jews, Christians and Muslims could not be more timely. Her gift for storytelling, happily, is timeless.Margot Livesey's The House on Fortune Street will be published by HarperCollins in May 2008.
