RECORD NO.28

『ぼくの写真も...全てはニセフォール・ニエプスの一枚の「実験室からの眺め」から始まっている』 森山大道 (『記録28号』より抜粋)
『走行し通り過ぎた台湾のさまざまな都市や町や村、そして擦過した沿道の人々の情景や 光景は、写すぼくにあれこれの記憶を蘇らせ、さらに数多くの新しい記憶を植え付けてくれた。』(『記録28号』より 著者コメント)
2015年6月に刊行された森山大道の私家版写真誌「記録28号」を電子書籍化。
2014年初夏、台湾の高雄を起点として、台南・嘉義・台中・台北・基隆の都市間を結ぶ 400キロ余りのルート上を車で走行し、撮影した幾多のカットから構成される192ページにも及ぶ記録誌過去最大の大作。
森山大道(もりやま だいどう)/写真家。1938年10月10日。ハイコントラストで粒子の粗い“アレ・ブレ・ボケ”と称される独自のスタイルを確立し、世界的にも高い評価を得る。近年の写真集に『NAGISA』『LABYRINTH』(Akio Nagasawa Publishing)など。

"I realized again that my photos of Shinjuku, ...all have their origin
in that one photograph - Nicéphore Niépce's View From the Window at Le Gras. "
- DAIDO MORIYAMA (Experts from the original text of Record No.28)
”The various cities and villages across Taiwan that I passed through, and the sights of people and landscapes along the road, rekindled all kinds of memories as I captured them on film, while at the same time implanting a lot of new memories in my mind.”-DAIDO MORIYAMA
e-Book version of the self-published photo journal "RECORD : No.28”, originally published in June 2015.
The book contains 192 pages of shots, which turned out to be the largest amount of pages in the history of“RECORD”series, which were all taken in Taiwan on early summer of 2014, starting at Kaohsiung, and traveling the 400km journey northbound through Tainan, Chiayi, Taichung, Taipei, and Keelung connecting each city.
Daidō Moriyama (born October 10, 1938) is a Japanese photographer noted for his images depicting the breakdown of traditional values in post-war Japan.
Born in Ikeda, Osaka, Daidō Moriyama studied photography under Takeji Iwamiya before moving to Tokyo in 1961 to work as an assistant to Eikoh Hosoe. He produced a collection of photographs, on “Nippon gekijō shashinchō” Though not exclusively, Moriyama predominantly takes high contrast, grainy, black and white photographs within the Shinjuku area of Tokyo, often shot from odd angles. Moriyama’s photography has been influenced by Seiryū Inoue, Shōmei Tōmatsu, William Klein, Andy Warhol, Eikoh Hosoe, the Japanese writer Yukio Mishima, the dramatist Shūji Terayama, and Jack Kerouac’s “On the Road”.