The Glassmaker
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4.5 • 6 Ratings
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- $14.99
Publisher Description
'Spellbinding' ELIF SHAFAK
'Ingenious' THE TIMES, Book of the Year
'Sparkling' OBSERVER
'A triumph' PHILIP PULLMAN
'As finely wrought as a dazzling Murano bead' INDEPENDENT
'Meticulously researched and evoking the beauty of the Venice lagoon’ PHILIPPA GREGORY
‘A spectacular feat, crafted by a maestra at the top of her game’ SPECTATOR
FROM THE GLOBALLY ACCLAIMED AUTHOR OF GIRL WITH A PEARL EARRING
Venice, 1486. Across the lagoon lies Murano. Time flows differently here – like the glass the island’s maestros spend their lives learning to handle.
Women are not meant to work with glass, but Orsola Rosso flouts convention to save her family from ruin. She works in secret, knowing her creations must be perfect to be accepted by men. But perfection may take a lifetime.
Skipping like a stone through the centuries, we follow Orsola as she hones her craft through war and plague, tragedy and triumph, love and loss.
The beads she creates will adorn the necks of empresses and courtesans from Paris to Vienna – but will she ever earn the respect of those closest to her?
Tracy Chevalier is a master of her own craft, and The Glassmaker is vivid, inventive, spellbinding: a virtuoso portrait of a woman, a family and a city that are as everlasting as their glass.
About the author
Tracy Chevalier has been visiting Venice regularly since her honeymoon there in 1994. She is the author of eleven novels, including A Single Thread, Remarkable Creatures and Girl with a Pearl Earring, an international bestseller that has sold over five million copies and been made into a film, a play and an opera. Born in Washington DC, she moved to the United Kingdom in 1986. She and her husband divide their time between London and Dorset.
Customer Reviews
Too much time travelling
I really enjoyed the beginning of this story, the characters, the drama, the history, the setting, it was all magical. Tracey Chevalier is a master story teller, yet as the book developed, I found I felt the story weakened somewhat. I didn’t like the time jumping at all. To me it just doesn’t make sense, if you want to cover centuries, then develop the family lines more. Having one family in Murano that only ages 60 years in several centuries does not make sense to me when the rest of the world moves on. I suppose the author was trying to convey the timelessness of Murano, but there are other ways to do that better in my opinion.