The Native Born

The woman lying huddled on the couch turned her face to the wall and covered it with her hands in a burst of uncontrollable horror. "Oh, that dreadful light!" she moaned. "If it would only go out! It will send me mad. Oh, if it would only go out—only go out!" Her companion made no immediate answer. She stood by the wall, her shoulders slightly hunched, her hands clasped before her in an attitude of fixed, sullen defiance. What her features expressed it was impossible to tell, since they were hidden by the deep shadow in which she had taken up her position. The rest of the apartment was lit with a grey, ghostly light, the reflection from the courtyard, in part visible through the open doorway, and which lay bathed in all the brilliancy of a full Indian moon. "When the light goes out, it will mean that the end has come," she said at last. "Do you know that, Christine?" "Yes, I know it," the other answered piteously; "but that's what I want—the end. I am not afraid to die. I know Harry will be there. He will not let it be too hard for me. It's the suspense I can not bear. The suspense is worse than death. I have died a dozen times tonight, and suffered as I am sure God will not let us suffer." Margaret Caruthers bent over the cowering figure with the sympathy which education provides when the heart fails to perform its office. There was, indeed, little tenderness in the hand which passed lightly over Christine Stafford's feverish forehead.