A Winter's Earl
A Regency Christmas Romance
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- USD 4.99
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- USD 4.99
Descripción editorial
A secret baby puts a wrench in holiday plans in this charming, snowbound Regency romance from Annabelle Greene
Come to me. I need you. It’s a matter of life-and-death.
Infamous poet Sherborne Clarke is a scholar, a lover—but not a father. When he finds a baby abandoned on the steps of his crumbling castle, he knows he must get her to London and an orphanage. It’s the perfect excuse to contact the one person he trusts…the man whose love he stills yearns for, and whose heart he broke years before.
Richard Ashbrook was groomed from birth to become the Earl of Portland, until Sherborne betrayed him, exposing his sexuality to the papers and forcing him into exile. But as much as he hates Sherborne, Richard has never managed to break their link or let his confusing sentiments concerning him subside. When he receives a missive implying that Sherborne's life is at risk, he knows it is time to return home.
Richard undergoes the perilous journey from Sicily only to find the other man untouched. Furious, he agrees to transport the baby to London—whatever gets him out of Sherborne’s life once and for all. But when a snowstorm leaves them stranded, they’re forced to confront the past—and deal with the love between them that’s all too present.
PUBLISHERS WEEKLY
Greene (Soldier and the Spy) takes a cue from Shakespeare's The Winter's Tale for this middling historical romance. In 1815 Sicily, Richard Ashbrook receives a missive from his former lover, Sherborne Clarke, a scandalous British poet whom he believes published a letter outing Richard to a newspaper 16 years ago, forcing Richard into exile. Sherborne has found a baby on his doorstep and hopes Richard will help transport the foundling, whom he names Parsley, to the orphanage Richard's cousin runs in London. Richard is bitter and wary about reuniting with Sherborne but cannot deny his lingering attraction: the pair get turned on while verbally sparring and engage in a fencing match that ends in kissing. When heavy snow delays their trip to the orphanage, Richard appreciates the chance for "one more night" with his lover. Unfortunately, this central romance feels rather tame and tensionless, and an episode in which actors and a bear arrive unexpectedly works as a nod to Shakespeare but is otherwise slack. A late subplot around Parsley's parentage addresses issues of class, gender, and expectation and creates some intrigue, but not enough to save the story. Greene has made a noble effort, but this feels uninspired.
