Counterfeiter and Other Stories
-
- USD 7.99
-
- USD 7.99
Descripción editorial
"These three stories illustrate Inoue's versatility, his mastery of detail and his control of narrative structure. Inoue presents the tale as mystery and solution, the tale as psychoanalytic exploration…, the tale as emblematic social history."
—Arizona Quarterly
In The Counterfeiter, a writer is commissioned to write the biography of a famous painter but becomes fascinated by a man who produced forgeries of the artist's work. Obasute concerns a man's obsession with a legend of old women being taken to a mountain and abandoned, and his interpretation of the actions of members of his family in light of this legend. The Full Moon is a story of company politics, particularly the rise and fall of firm's president, told largely through incidents at annual company parties.
Yasushi Inoue was born in 1907. He rose quickly to become one of Japan's most important contemporary writers, winning almost every major Japanese literary prize. Inoue died in 1991.
PUBLISHERS WEEKLY
The three powerful stories collected here were written by Inoue in the years following WWII, giving readers a nuanced glimpse of the postwar psyche. The title story is a masterly meditation on fate and obscurity. A journalist who has been comissioned to write the biography of the great artist Keigaku is drawn into the story of Keigaku's most sucessful counterfeiter, Hara Hosen. WWII acts as a framework for the journalist's own life, and readers track the subtle change in his perception of the world and Hosen through the blithe pre-war years, the grim descent to surrender, and the difficult years that followed. In "Reeds," the narrator uses three vivid childhood memories to ponder the intersection of memory and perception. How can a single moment hold so much weight, while the adults involved in the memory have no recollection of the scene? In "Mr. Goodall's Gloves," the same narrator thinks back on his great-grandfather's mistress, Grandma Kano, who raised him. He remembers her kindness fondly, but his reflection is colored by the awareness that her lowly status as a mistress in a morally strict environment must have made for an isolated life. Inoue's prose is simple without being austere, a perfect vehicle for these beautiful stories full of pathos for those lonely souls who live in the shadows. This haunting, elegiac trio makes clear Inoue's position as a Japanese literary master.
