In the Casa Azul
A Novel of Revolution and Betrayal
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- USD 11.99
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- USD 11.99
Descripción editorial
Pursued from country to country by Stalin's GPU agents, Leon Trotsky finds refuge in Mexico City in 1937. There he encounters the fire and splendor of the artist Frida Kahlo who, with her husband Diego Rivera, welcomes Trotsky and his wife Natalia into their home, the Casa Azul.
Meaghan Delahunt's breathtaking first novel explores those extraordinary years in Mexico, but also spreads before the reader a panorama of Russian history, revolution, and upheaval throughout the first half of the twentieth century. We hear from Stalin's desolate young wife, and Trotsky's Ukrainian Jewish father, baffled by the dissolution of his own estate and the rise of his son, and from Trotsky himself, still smarting from his brief love affair with the mesmerizing Frida. Their voices mingle with the tales of the lesser known who, in their way, have also created history: the Mexican artist who foretells Trotsky's death; a Bolshevik engineer surviving the chill of the Stalinist regime; and the bodyguard who is unable to prevent Trotsky's assassination.
In the Casa Azul insightfully examines politics and art, as well as disillusionment and loss in the service of high ideals. This is a remarkable debut, a work of deep understanding and stunning literary artistry.
PUBLISHERS WEEKLY
A historical footnote Leon Trotsky's six-week affair with painter Frida Kahlo during his exile in Mexico blooms into a mesmerizing first novel by Australian writer Delahunt. After his expulsion from the Soviet Union, Trotsky and his wife, Natalia, are welcomed into the Mexico City home of leftist muralist Diego Rivera and his wife, the charismatic Kahlo. Thus begins the short but fervent affair between the Old Man (as Trotsky is called) and the young Kahlo but Delahunt has a broader plan. She uses their relationship as the jumping-off point for a compendium of brief, urgent scenes offering a guided tour of early communism, from leftist Mexico and 1930s Spain to Stalinist Moscow, with a side trip to Trotsky's Ukrainian childhood. Inevitably, revolutionary politics give way to tragedy: Trotsky and Natalia amid an ever-shrinking circle of admirers in Mexico, their children all dead; Trotsky's father, thrown off his farm by Soviet collectivization; Nadezhda, Stalin's wife, committing suicide. Delahunt's ability to pare grand historical figures down to their all-too-human weaknesses is impressive, and the final glimpse of Stalin is itself worth the price of admission. Having ordered the murder of every competent doctor in Moscow because he can't face his own mortality, he lies on his deathbed, being fed oxygen by a gynecologist. In the end, this novel resembles nothing less than one of Rivera's famous murals human activity everywhere, each figure burning for attention.
