Newton's Wake
A Space Opera
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- USD 11.99
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- USD 11.99
Descripción editorial
With visionary epics like The Stone Canal, The Cassini Division, and Cosmonaut Keep, award-winning Scottish author Ken MacLeod has led a revolution in contemporary science fiction, blending cutting edge science and razor-sharp political insights with pure, over-the-top interstellar adventure. Now MacLeod takes this heady mix to a new level with a stunning new SF masterwork--Newton's Wake.
In the aftermath of the Hard Rapture--a cataclysmic war sparked by the explosive evolution of Earth's artificial intelligences into godlike beings--a few remnants of humanity managed to survive. Some even prospered.
Lucinda Carlyle, head of an ambitious clan of galactic entrepreneurs, had carved out a profitable niche for herself and her kin by taking control of the Skein, a chain of interplanetary star-gates left behind by the posthumans. But on a world called Eurydice, a remote planet at the farthest rim of the galaxy, Lucinda stumbled upon a forgotten relic of the past that could threaten her way of life.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
Amid the somewhat strident politics there are some outrageously funny patches in this over-packed space opera from Nebula and Hugo finalist MacLeod (Cosmonaut's Keep, etc.). In the 24th century, brash young Lucinda Carlyle takes her first big chance to prove herself to her wheeling-dealing clan who control the skein, a network of "gates" transporting people and equipment instantaneously between planets. In the Hard Rapture war centuries earlier between the United States and united Europe, run-amok American AI took over the brains of humans. Survivors flung into space include the gawkish farmers of America Offline (AO), the straitlaced Oriental Knights of Enlightenment (KE) and the third-world "commies" who strip-mine planets (DK). Lucinda opens a Pandora's box of shifting alliances that turns 20th-century American sensibilities upside down. Keeping the AO, KE and DK straight can be confusing as Lucinda brawls along her barrack-room Glasgow-dialect way. Perhaps MacLeod's most memorably quirky character, Benjamin Ben-Ami, produces epics like Jesus Koresh: Martyred Messiah, with "a mild-mannered and modest but strong-willed hero" and "gloating psychopathic villains, the Emperor Reno and the Empress Hilary." MacLeod slyly entices Americans to see ourselves as others see us not a flattering picture at all.
