Something to Declare
Essays on France and French Culture
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- USD 11.99
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- USD 11.99
Descripción editorial
For anyone who loves France (or just feels strongly about it) comes a “beautifully written” collection of essays (The New York Times Book Review) on the country and its culture—from the bestselling, Booker Prize-winning author of The Sense of an Ending.
Julian Barnes’s appreciation extends from France’s vanishing peasantry to its hyper-literate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Here are the prolific and priapic Simenon, Baudelaire, Sand and Sartre, and several dazzling excursions on the prickly genius of Flaubert. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.
PUBLISHERS WEEKLY
Novelist Barnes's latest collection of haute musings on France and things French is rather like a ride in a creaky Citro n: at first, it kicks and gurgles in a scattered path, but once it gets started, it's a charming and nostalgic way to view la belle France. Barnes, author of nine novels (Love, Etc., etc.), a book of stories and a collection of essays, offers here an amalgamation of pieces, many previously published in the Times Literary Supplement and the New York Review of Books. The collection begins with meandering yet tellingly accurate critiques of popular culture phenomena, such as the Tour de France, the films of Truffaut and Godard, and singer Jacques Brel. Barnes's assessment of culinary writer Elizabeth David's thoughts on nouvelle cuisine (it means "lighter food, less of it, costing more") are at once witty and dead-on. After sharing these lighter, whimsical thoughts, Barnes shifts into a higher gear and delves into a study of the French and Francophile literary establishment, from Edith Wharton and Ford Madox Ford to Henry James and George Sand. He saves many of the book's later chapters for his favorite subject, Gustave Flaubert. Throughout, Barnes integrates his commentary with detailed, intriguing bits of history. Devotees of Madame Bovary will thrill to read his ruminations on the masterpiece (e.g., what if it had been written for the screen rather than as a book?). Serious yet self-deprecating, Barnes's prose is perfectly tuned to its subject. Photos not seen by PW.
