The Bronte Myth
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- USD 11.99
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- USD 11.99
Descripción editorial
In a brilliant combination of biography, literary criticism, and history, The Bronté Myth shows how Charlotte, Emily, and Anne Bronté became cultural icons whose ever-changing reputations reflected the obsessions of various eras.
When literary London learned that Jane Eyre and Wuthering Heights had been written by young rural spinsters, the Brontés instantly became as famous as their shockingly passionate books. Soon after their deaths, their first biographer spun the sisters into a picturesque myth of family tragedies and Yorkshire moors. Ever since, these enigmatic figures have tempted generations of readers–Victorian, Freudian, feminist–to reinterpret them, casting them as everything from domestic saints to sex-starved hysterics. In her bewitching “metabiography,” Lucasta Miller follows the twists and turns of the phenomenon of Bront-mania and rescues these three fiercely original geniuses from the distortions of legend.
PUBLISHERS WEEKLY
Even in their lifetimes, the Bronte sisters--Charlotte, Emily and Anne--were remarkable figures whose literary reputations were often shrouded in a web of myth and lies that to some degree still endures. In this volume, Miller, a literary critic and former deputy literary editor of The Independent, presents a markedly intelligent"metabiography" that sorts through these half-truths to give a fresh, original portrait of three exceptional writers. Celebrated by some of their 19th century readers as literary heroes and castigated by others as reckless and immoral, the Brontes defied conventions even as they tried to live within them:"revolutionizing the imaginative presentation of women's inner lives" even as they cultivated the social persona of"the modest spinster daughter." Miller traces the trajectory of their careers, particularly Charlotte's, from their childhood games to the stunning success of Jane Eyre and Wuthering Heights. Drawing on a wealth of letters and scholarly works, Miller succeeds in carefully revealing how the rumors that portrayed the Brontes as gothic creatures, saints and martyrs became more important than the women's novels,"covering and supplanting," as Henry James said,"their matter, their spirit, their style, their talent, their taste." Miller touches on everyone from Elizabeth Gaskell, whose famous Life of Charlotte Bronte (1857)"marked the birth of the Brontes as cultural icons," to Ted Hughes, and thus illuminates not only the lives of the sisters, but the significance and import of their work. Ultimately, such literary reclamation is what Miller is after: to clear up the clutter of history, to bring to light the genius and artistry of the novels and to let the Brontes speak for themselves.
