The Handmaid's Tale (Graphic Novel)
A Novel
-
- USD 12.99
-
- USD 12.99
Descripción editorial
The stunning graphic novel adaptation • A must-read and collector’s item for fans of “the patron saint of feminist dystopian fiction” (New York Times).
Look for The Testaments, the sequel to The Handmaid’s Tale
In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive.
Provocative, startling, prophetic, The Handmaid’s Tale has long been a global phenomenon. With this beautiful graphic novel adaptation of Margaret Atwood’s modern classic, beautifully realized by artist Renée Nault, the terrifying reality of Gilead has been brought to vivid life like never before.
PUBLISHERS WEEKLY
Equal parts gorgeous and horrifying, Nault's adaptation faithfully follows both the plot and style of Atwood's 1985 dystopian novel. Narrator Offred lives in Gilead, a United States that is both unrecognizable and too familiar: the government strips women of their freedom in the name of protecting them, discards the old and infirm, and loves fetuses more than the living. Offred says, "Everything Handmaids wear is red: the color of blood, which defines us." Nault's reds are rich and layered watercolors, rust to flame. In one frame, she draws hanged Handmaid bodies as drooping crimson flowers. Nault's semiabstracted interpretations of traumatic scenes are stronger than the story's more pedestrian moments, when it's hard not to feel the flatness of the pale characters' expressions. Painting life in Gilead's toxic, war-torn Colonies, Nault takes great advantage of the graphic form. In Atwood's text, exile is frightening because it is a void. Here the cancer-eaten jaw of an "unwoman" worker is on full display. Atwood fans may shrug at another incarnation of this classic, but it's skillfully done and likely to appeal to younger readers; the tale's relevance and Nault's talent are undeniable.
