Where the Stress Falls
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- USD 12.99
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- USD 12.99
Descripción editorial
Where the Stress Falls is divided into three sections: the first, 'Reading', includes ardent pieces on writers from Sontag's own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva and Elizabeth Hardwick. In the second, 'Seeing', she shares her passions for film, dance, photography, painting, opera and theatre. And in the final section, 'There and Here', Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.
PUBLISHERS WEEKLY
One of the few Americans to manage superbly the dual roles of public intellectual and novelist, Sontag, whose novel In America won a National Book Award in 2000, reaches a big audience even as she divides critics. First and foremost an essayist, Sontag tackles varied interests that are compelling in part for their apparent randomness. This new collection of occasional articles includes punditry on literature, film, photography, theater and her own literary career, among other subjects. Once a champion of then-lesser-known writers like Jorge Luis Borges and Roland Barthes, she now boosts the worthy Brazilian novelist Machado de Assis and Swiss writer Robert Walser. Sometimes her enthused advocacy seems overstated, such as when she argues a little too forcefully for Glenway Wescott as a novelist and for the poet Adam Zagajewski as a prose writer. A sugary memorial for New York City Ballet founder Lincoln Kirstein is also inadequate on many levels. Still, Sontag's appetite for trends and achievements is still so fierce, and she switches subjects so quickly and lithely, that if one short essay does not convince, the next one probably will. One can't help admiring the conviction evident in "Waiting for Godot in Sarajevo," her account of directing a Beckett play in the war-torn city. There is no one quite like Sontag, and her many admirers will enjoy following up on her reading tips and engaging in debate with her via this book.
