A Hero Born
The Definitive Edition
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- S/ 52.90
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- S/ 52.90
Descripción editorial
The epic Chinese classic and phenomenon published in the US for the first time!
Featured in iO9's 2019 Fall Preview.
Set in ancient China, in a world where kung fu is magic, kingdoms vie for power and the battle to become the ultimate kung fu master unfolds, an unlikely hero is born… in the first book in the epic Legends of the Condor Heroes by the critically acclaimed master of the genre, Jin Yong.
After his father—a devoted Song patriot—is murdered by the Jin empire, Guo Jing and his mother flee to the plains of Ghengis Khan and his people for refuge. For one day he must face his mortal enemy in battle in the Garden of the Drunken Immortals. Under the tutelage of Genghis Khan and The Seven Heroes of the South, Guo Jing hones his kung fu skills. Humble, loyal and perhaps not always wise, Guo Jing faces a destiny both great and terrible.
However, in a land divided—and a future largely unknown—Guo Jing must navigate love and war, honor and betrayal before he can face his own fate and become the hero he’s meant to be.
Legends of the Condor Heroes
A Hero Born
A Bond Undone
A Snake Lies Waiting
A Heart Divided
PUBLISHERS WEEKLY
An unrefined translation muddles this posthumous U.S. debut for renowned wuxia author Jin Yong (1924 2018). During the Song Dynasty, Southern patriots Skyfury Guo and Ironheart Yang meet a Taoist monk, Qiu Chuji, who gives the sworn brothers names, daggers, and the promise of kung fu training for their unborn sons. An act of kindness by Yang's wife, however, has fatal consequences, thrusting the families violently apart. After Guo dies and Yang is presumed dead, Qiu Chuji and the Seven Freaks of the South make a bet. Each party will train one of the patriots' sons for 18 years; a fight between the two will determine which master was the better teacher. The Freaks locate and teach Guo Jing in Mongolia before sending him off toward Jiaxing, the battle site. The fate of Yang's son is less clear. Meanwhile, the machinations of the Sixth Prince Wanyan Honglie on behalf of the Jin Empire promise trouble for the Song in subsequent installments. Despite occasional illustrations, the fight scenes integral to the genre are stagnant due to Holmwood's mundane and sometimes confusing rendition (one character "jabbed at the housekeeper's jaw, splitting it"). The ending is not a cliff-hanger so much as an abrupt stop halfway through the plot. Jin Yong's work is undoubtedly worth reading, but this interpretation of it will do little to introduce or endear his writing to Anglophones.
