Alma Mater
A Novel
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- S/ 19.90
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- S/ 19.90
Descripción editorial
Sex makes monkeys out of all of us. If you don’t give in to it, you wind up a cold, unfeeling bastard. If you do, you spend the rest of your life picking up the pieces. . . .
At the start of senior year at William & Mary, the six-foot-tall, raven-haired beauty Victoria “Vic” Savedge finds her future mapped out in detail. She will marry Charly Harrison, the son of one of Virginia’s most prominent families. Though branded by a fiery streak of independence, Vic hasn’t really considered any other options. Until she meets a woman named Chris.
A transfer from Vermont, Chris is new to Southern mores and attitudes. Though instantly captivated by Vic, she is also drawn to the entire quirky but charming Savedge family. But the young women’s friendship is not your basic college-girl variety. For neither can resist their mutual attraction–an attraction that erupts into a passion that will forever change the course of both their lives.
PUBLISHERS WEEKLY
Popular and prolific Brown (Rubyfruit Jungle, etc.) lavishes her attention and breathless prose on another lesbian coming-of-age tale set in Southern belle territory. Victoria "Vic" Savedge is a gorgeous 22-year-old senior at the College of William and Mary in present-day Virginia. Her parents, Frank and R.J., little sister Mignon and best friend Jinx Baptista all expect Vic to marry her rich football star boyfriend Charly Harrison after graduation. However, in the opening scene, Vic meets Chris Carter, a female transfer student to whom she is increasingly attracted. Their flirtatious behavior deflates any suspense Brown may have hoped to create; it's clear Vic's commitment to Charly is shaky. As she unconvincingly struggles to choose between lovers, Vic ponders with Jinx the roles fate, honor and individual responsibility play in life. During weekend visits to her ancestral home, Surry Crossing, Va., Vic is entertained by the smalltown antics of her womanizing Uncle Don and sex-deprived Aunt Bunny, and the Wallaces, neighboring middle-aged sisters who pathetically vie for their elderly father's favor. Brown's tendency to tell rather than show ("Raised in a judgmental family, Chris had survived by nourishing her sense of rebellion. She didn't know what she was looking for until she met Vic") and filler dialogue ("Sit down. It's my turn to give you a Coke" and "Mother, do you want a refill?" "No, thank you. But you may clean the ashtray") wear on the reader, and the one-dimensional characters and soap opera story line provide little relief. Brown's good-natured humor and exuberant treatment of her themes may satisfy her fans, but she's unlikely to pick up new readers this time around. 8-city author tour.
