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Descripción de editorial
A NEW YORK TIMES EDITORS' CHOICE
NAMED A BEST BOOK OF THE YEAR BY TIME , NPR, AND GOOD HOUSEKEEPING
“A sensational new book [that] tries to figure out whether it's possible to live an ethical life in a capitalist society. . . . The results are enthralling.” —Associated Press
A timely and arresting new look at affluence by the New York Times bestselling author.
“My adult life can be divided into two distinct parts,” Eula Biss writes, “the time before I owned a washing machine and the time after.” Having just purchased her first home, the poet and essayist now embarks on a provocative exploration of the value system she has bought into. Through a series of engaging exchanges— in libraries and laundromats, over barstools and backyard fences— she examines our assumptions about class and property and the ways we internalize the demands of capitalism. Described by The New York Times as a writer who “advances from all sides, like a chess player,” Biss offers an uncommonly immersive and deeply revealing new portrait of work and luxury, of accumulation and consumption, of the value of time and how we spend it. Ranging from IKEA to Beyoncé to Pokemon, Biss asks, of both herself and her class, “In what have we invested?”
Biss (On Immunity) delivers a stylish, meditative inquiry into the function and meaning of 21st-century capitalism, inspired by becoming a homeowner for the first time. In essay-length ruminations divided into four sections ("Consumption," "Work," "Investment," and "Accounting"), Biss draws from incidents in her own life as an upper-middle-class Chicagoan and engages with works of literature, history, sociology, economics, and psychology. Disillusionment with items in a furniture store prompts a consideration of cultural critic Lewis Hyde and "the strange unspecific desire" of consumerism. Biss also reflects on her young son's education in the difference between cost and value as he earns the money to purchase and trade Pok mon cards with his friends. She examines women's labor through the works of Marxist social scientist Silvia Federici, novelist Virginia Woolf, and authors Joan Didion and Gertrude Stein, and analyzes popular culture, including the contract dispute behind Donna Summer's song "She Works Hard for the Money" and the anti-capitalist messages of Scooby-Doo, Where Are You? Biss doesn't shy away from acknowledging her own privilege, and laces her reflections with unexpected insights and a sharp yet ingratiating sense of humor, though she doesn't push too hard for change, either in her own life or her readers'. Still, this eloquent, well-informed account recasts the everyday world in a sharp new light.