Moonstone
The Boy Who Never Was: A Novel
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- S/ 49.90
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- S/ 49.90
Descripción editorial
The mind-bending miniature historical epic is Sjón's specialty, and Moonstone: The Boy Who Never Was is no exception. But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.
Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.
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A long-time collaborator with Bj rk, Sj n is an Icelandic writer, poet, and musician with a cult following. His latest work to be translated into English opens with a sex scene that sent ripples across his homeland upon release and sets the tone for a story both tender and explicit. Set in Reykjavik in 1918 as the Spanish flu runs rampant, this short, impressionistic work follows M ni Steinn, a cinema-obsessed 16-year-old boy who turns tricks for older men passing through his provincial city, and Sola G, a motorcycle-driving girl who infatuates him. As the epidemic's death toll rises, and his beloved movie theater is shuttered, M ni is employed by Dr. Garibaldi rnason to assist in the physician's visits with the dying, while Sola is the driver. After M ni is imprisoned for having sex with a Danish sailor, the pace of the novel quickens and its stakes heighten. This is not a vast historical epic in the mode of Hilary Mantel; the characters and settings are vaguely sketched. But the prose is full of striking and poetic scenes, such as a silent film screened without musical accompaniment because all the musicians have died of influenza: "it becomes apparent just how silent these films really are." This novel resonates both as an allegory about society and sex, as well as a historical glimpse of a time when pandemic and war pressed upon Iceland from the south.
