Pineapple Street
A GMA Book Club Pick (A Novel)
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- S/ 39.90
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- S/ 39.90
Descripción editorial
A Good Morning America Book Club Pick
“A vibrant and hilarious debut…Pineapple Street is riveting, timely, hugely entertaining and brimming with truth.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest
“A delicious new Gilded Age family drama… a guilty pleasure that also feels like a sociological text.” —Vogue
A deliciously funny, sharply observed debut of family, love, and class, this zeitgeisty novel follows three women in one wealthy Brooklyn clan
Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can’t have, and must decide what kind of person she wants to be.
Rife with the indulgent pleasures of life among New York’s one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable—if fallible—characters, it’s about the peculiar unknowability of someone else’s family, the miles between the haves and have-nots, and the insanity of first love—all wrapped in a story that is a sheer delight.
PUBLISHERS WEEKLY
Jackson's clever if tepid debut chronicles the struggles of three women born or married into an old-monied New York City family. Cord Stockton, the family's middle child, marries Sasha, and the couple takes over the family's Brooklyn Heights house. Sasha, who comes from a middle-class Rhode Island family, is referred to as "the GD" (gold digger) by Cord's sisters. Darley Stockton, the oldest, gives up her banking career to be a full-time mom. Georgiana, the youngest, is mainly a directionless party girl with a gig at a nonprofit, where she's sleeping with her married boss. Tensions come to a head as Darley's and Georgiana's fortunes shift and Sasha decides to beat it for Rhode Island. Unfortunately, most of the characters aside from Sasha are underdeveloped (Stockton matriarch Tilda delivers predictably cartoonish lines, like "Sasha, would you like to tell us what it was like growing up poor?"), though Jackson shines in her incisive observations about the ravages of contemporary real estate developments (at the former Hotel St. George, "ghosts of the original remained, the green balconies that once overlooked the swimming pool... now home to a series of elliptical machines where old people and college students climbed to nowhere"). Despite the dusty feeling, this has its moments.
