The Jungle
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- S/ 2.90
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- S/ 2.90
Descripción editorial
"Upton Sinclair's sixth novel and first popular success, written when he was sent by the socialist weekly newspaper Appeal to Reason to Chicago to investigate conditions in the stockyards. Though intended to create sympathy for the exploited and poorly treated immigrant workers in the meat-packing industry, The Jungle instead aroused widespread public indignation at the quality of and impurities in processed meats and thus helped bring about the passage of federal food-inspection laws. Sinclair ironically commented at the time, "I aimed at the public's heart and by accident I hit it in the stomach." The Jungle is the most enduring of the works of the "muckrakers". Published at Sinclair's own expense after several publishers rejected it, it became a best-seller, and Sinclair used the proceeds to open Helicon Hall, a cooperative-living venture in Englewood, N.J. The building was destroyed by fire in 1907 and the project abandoned."
PUBLISHERS WEEKLY
Originally published in 1991 as part of a short-lived revival of the Classics Illustrated line, this adaptation of Sinclair's muckraking socialist novel succeeds because of its powerful images. When Kuper initially drew it, he was already a well-known left-wing comics artist. His unenviable task is condensing a 400-page novel into a mere 48 pages, and, inevitably, much of the narrative drama is lost. Kuper replaces it, however, with unmatched pictorial drama. The story follows Lithuanian immigrant Jurgis Rudkis and his family as they are eaten up and spit out by capitalism (represented by Chicago's packing houses). Kuper uses an innovative full-color stencil technique with the immediacy of graffiti to give Sinclair's story new life. When Jurgis is jailed for beating the rich rapist Connor, a series of panels suffused with a dull, red glow draw readers closer and closer to Jurgis's face, until they see that the glint in his eye is fire. Jurgis, briefly prosperous as a strong-arm man for the Democratic machine, smokes a cigar; the smoke forms an image of his dead son and evicted family. Perhaps most visually dazzling is the cubist riot as strikers battle police amid escaping cattle. Kuper infuses this 1906 novel with the energy of 1980s-era street art and with his own profoundly original graphic innovation, making it a classic in its own right.
