The Matter of Black Lives
Writing from The New Yorker
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- S/ 57.90
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- S/ 57.90
Descripción editorial
A collection of the New Yorker‘s groundbreaking writing on race in America, including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more
From the pages of the New Yorker comes a bold and telling portrait of Black life in America, with astonishing early work from Rebecca West’s account of a lynching trial and James Baldwin’s ‘Letter from a Region in My Mind’ (which later formed the basis of The Fire Next Time) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Félix, Henry Louis Gates Jr., Kelefa Sanneh, and more.
Reaching back across the last century, The Matter of Black Lives includes a wide array of material from the New Yorker archives ranging across essays, reported pieces, profiles, criticism, and historical pieces. This book addresses everything from the arts to civil rights, matters of justice, and politics, and brings us up to the present day with accounts of what Jelani Cobb calls “The American Spring.” The result is a startling, nuanced and, ultimately, indelible portrait of America’s complex relationship with race.
Reviews
Praise for The Matter of Black Lives
‘An essential volume for readers interested in the Black past and present, as all readers should be’ – Publishers Weekly (starred review)
Praise for The Fragile Earth
‘A must-read’ Daily Beast
‘Immersive and engaging . . . Reading three decades of essays on this important and urgent topic, one is appalled that we know so much and have repeatedly done so little with that knowledge, as well as simultaneously hopeful and skeptical that technological solutions can save us now’ Library Journal
‘Illuminating and powerful . . . a memorable book with a resounding message’ Publishers Weekly (starred review)
About the author
Jelani Cobb is a historian, and a professor of journalism at Columbia University. A staff writer at The New Yorker since 2015, he is a recipient of the Sidney Hillman Award for Opinion and Analysis, as well as fellowships from the Ford Foundation and the Fulbright Foundation. He lives in New York City.
David Remnick has been the editor of The New Yorker since 1998 and a staff writer since 1992. His books include the Pulitzer Prize-winning Lenin’s Tomb: The Last Days of the Soviet Empire, King of the World: Muhammad Ali and the Rise of an American Hero, The Bridge: The Life and Rise of Barack Obama, and two collections of his magazine pieces.
PUBLISHERS WEEKLY
New Yorker staff writer Cobb (The Substance of Hope) and editor Remnick (The Bridge) present an expansive anthology of pieces from the magazine's archives on the "political, cultural, and economic questions surrounding race and Black achievement." James Baldwin's "Letter from a Region in My Mind," later published as The Fire Next Time, opens the proceedings, setting a high bar that the collection, for the most part, maintains. Other highlights include Hilton Als's "Homecoming," which interweaves reflections on the 1967 Brownsville uprising and the protests that followed the murder of George Floyd by police in 2020 with insights into the cultural burdens placed on Black artists; Renata Adler's report on the 1964 Selma to Montgomery civil rights march, which captures the homespun feel of the movement before it was mythologized; and Sarah Broom's "The Yellow House," a poignant meditation on the loss of her family home in Hurricane Katrina that became a National Book Award–winning memoir. Beyond the stellar prose, what unites these pieces, which range widely in length, tone, and point of view, is Baldwin's insight, paraphrased by Cobb, that "the American future is precisely as bright or as dark as our capacity to grapple with ." This standout anthology illuminates a matter of perennial concern.