The Solace of Leaving Early
A Novel
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- S/ 27.90
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- S/ 27.90
Descripción editorial
Using small-town life as a springboard to explore the loftiest of ideas, Haven Kimmel’s irresistibly smart and generous first novel is at once a romance and a haunting meditation on grief and faith. Langston Braverman returns to Haddington, Indiana (pop. 3,062) after walking out on an academic career that has equipped her for little but lording it over other people. Amos Townsend is trying to minister to a congregation that would prefer simple affirmations to his esoteric brand of theology.
What draws these difficult—if not impossible—people together are two wounded little girls who call themselves Immaculata and Epiphany. They are the daughters of Langston’s childhood friend and the witnesses to her murder. And their need for love is so urgent that neither Langston nor Amos can resist it, though they do their best to resist each other. Deftly walking the tightrope between tragedy and comedy, The Solace of Leaving Early is a joyous story about finding one’s better self through accepting the shortcomings of others.
PUBLISHERS WEEKLY
A romance evolves in the wake of a domestic shooting in Kimmel's intelligent and compassionate debut novel, which brings two friends of one of the victims together in a small Indiana town. Amos Townsend is the male protagonist, a 40-ish preacher who counseled the late Alice Baker-Maloney as her frayed marriage degenerated into a fatal confrontation with her controlling husband, Jack. Amos remains tormented by his attraction to Alice and his inability to have prevented the tragedy. Meanwhile, bookish Langston Braverman has returned home after dropping out of her Ph.D. program following an affair with an academic colleague and subsequent nervous breakdown. The two clash after Langston's mother, AnnaLee, orders her to abandon her literary projects to care for Alice's two orphaned daughters; Amos accuses Langston of being unfit for the job when both girls continue to exhibit a bizarre variety of compulsive, religiously oriented behaviors. The girls' crisis continues to escalate, leading to a series of melodramatic scenes in which Amos and Langston are forced to confront their own demons. There are some winning moments as the protagonists move toward a romance, although things are hindered somewhat by the sluggish pace in the early going, as Kimmel (A Girl Named Zippy) meanders through scenes detailing smalltown Midwestern life and as she delves into the pasts of the two leads. Still, she proves a wise, compassionate and often very witty storyteller whose affection for her characters is contagious.
