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To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, she has endured a tumultuous year of temptation, loss and strife to reach the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or pursue a fully human life has become the thread from which the fate of two tribes hangs.
Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating and unfathomable consequences. Just when the frayed strands of Bella's life - first discovered in TWILIGHT, then scattered and torn in NEW MOON and ECLIPSE - seem ready to heal and knit together, could they be destroyed. . .forever?
It ought to seem redundant to dismiss the fourth and final Twilight novel as escapist fantasy-but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. Everygirl Bella achieves her wishes quickly (marriage and sex, in that order, are two, and becoming an immortal is another), and once she becomes a vampire it's almost impossible to identify with her. But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily-in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times? Ages 12-up.