A Desolation Called Peace
-
- 5,99 €
Publisher Description
'This is first-class space opera' – The Guardian
A Desolation Called Peace is the spectacular sequel to A Memory Called Empire by Arkady Martine, winner of the Hugo Award for Best Novel.
An alien terror could spell our end.
An alien threat lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is supposed to win a war against it.
In a desperate attempt to find a diplomatic solution, the fleet captain has sent for an envoy to contact the mysterious invaders. Now Mahit Dzmare and Three Seagrass – both still reeling from the recent upheaval in the Empire – face an impossible task: they must attempt to negotiate with a hostile entity, without inadvertently triggering the destruction of themselves and the Empire.
Whether they succeed or fail could change the face of Teixcalaan forever.
A Desolation Called Peace is the second book in the Teixcalaan duology.
‘All-round brilliant space opera, I absolutely loved it’ – Ann Leckie, author of Ancillary Justice, on A Memory Called Empire
‘A cutting, beautiful, human adventure . . . The best SF novel I’ve read in the last five years’ – Yoon Ha Lee, author of Ninefox Gambit, on A Memory Called Empire
PUBLISHERS WEEKLY
Martine spins a dizzying, exhilarating story of diplomacy, conspiracy, and first contact in the powerhouse sequel to her Hugo Award winning debut, A Memory Called Empire. Mahit Dzmare has returned home to Lsel station after a brief, eventful stint as ambassador to the empire of Teixcalaan, but now Teixcalaanli warships are moving into formation against the terrifying aliens that live beyond a nearby jumpgate. When Nine Hibiscus, the leader of the warships, requests a trained diplomat to aid in alien relations and avoid conflict, Mahit's former liaison and love interest, Three Seagrass, assigns herself the job and drags Mahit along with her. But there are factions on Lsel and in Teixcalaan who would benefit from an endless war and who work to undermine their negotiations. Martine effortlessly balances several points of view including the idealistic 11-year-old imperial heir, Eight Antidote to provide a vivid window into a struggle over the question of who gets to be counted as a person. Martine's aliens are viscerally unsettling and utterly believable, and she deploys them masterfully to underscore themes of colonization, assimilation, and cultural violence. This complex, stunning space opera promises to reshape the genre.
