Descrição da editora
Diary takes the form of a 'coma diary' kept by one Misty Tracy Wilmot as her husband lies senseless in hospital after a suicide attempt. Once she was an art student dreaming of creativity and freedom; now, after marrying Peter at art school and being brought back to once quaint, now tourist-overrun Waytansea Island, she's been reduced to the condition of a resort hotel maid. Peter, it turns out, has been hiding rooms in houses he's refurbished and scrawling vile messages all over the walls. Angry homeowners are suing, and Misty's dreams of artistic greatness are in ashes. But then, as if possessed by the spirit of Maura Kinkaid, a fabled Waytansea artist of the nineteenth century, Misty begins painting again, compulsively. The canvases are taken away by her mother-in-law and her doctor, who seem to have a plan for Misty - and for all those annoying tourists...
PUBLISHERS WEEKLY
With a first page that captures the reader hook, line and sinker, Palahniuk (Choke; Lullaby) plunges into the odd predicament of Waytansea Island resident and ex-art student Misty Marie Kleinman, whose husband, Peter, lies comatose in a hospital bed after a suicide attempt. Rooms in summer houses on the mainland that Peter has remodeled start to mysteriously disappear "The man calling from Long Beach, he says his bathroom is missing" and Misty, with the help of graphologist Angel Delaporte, discovers that crude and prophetic messages are scrawled across the walls and furniture of the blocked-off chambers. In her new world, where every day is "another longest day of the year," Misty suffers from mysterious physical ailments, which only go away while she is drawing or painting. Her doctor, 12-year-old daughter and mother-in-law, instead of worrying about her health, press her to paint more and more, hinting that her art will save exclusive Waytansea Island from being overrun by tourists. In the meantime, Misty is finding secret messages written under tables and in library books from past island artists issuing bold but vague warnings. With new and changing versions of reality at every turn, the theme of the "tortured artist" is taken to a new level and "everything is important. Every detail. We just don't know why, yet." The novel is something of a departure for Palahniuk, who eschews his blighted urban settings for a sinister resort island, but his catchy, jarring prose, cryptic pronouncements and baroque flights of imagination are instantly recognizable, and his sharp, bizarre meditations on the artistic process make this twisted tale one of his most memorable works to date.
