Even Greater Mistakes
Stories
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- 10,99 €
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- 10,99 €
Descrição da editora
In her short story collection, Even Greater Mistakes, Charlie Jane Anders upends genre cliches and revitalizes classic tropes with heartfelt and pants-wettingly funny social commentary.
The woman who can see all possible futures is dating the man who can see the one and only foreordained future.
A wildly popular slapstick filmmaker is drawn, against his better judgment, into working with a fascist militia, against a background of social collapse.
Two friends must embark on an Epic Quest To Capture The Weapon That Threatens The Galaxy, or else they’ll never achieve their dream of opening a restaurant.
The stories in this collection, by their very outrageousness, achieve a heightened realism unlike any other. Anders once again proves she is one of the strongest voices in modern science fiction, the writer called by Andrew Sean Greer, “this generation’s Le Guin.”
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
Hugo and Nebula award winner Anders (All the Birds in the Sky) collects 19 speculative shorts in this powerful and emotional volume. Marisol, the playwright-turned-medical-student protagonist of "As Good As New," weathers the apocalypse in a panic room where she discovers a genie who happens to have once been a New York Times theater critic. The misfits of "The Time Travel Club" meet to report their imaginary journeys through time and grapple with the messy physics of a constantly expanding universe. Then they get their hands on a time machine. Gloria, the acerbic comedian narrator of the tender and darkly humorous "Ghost Champagne," is haunted by her own future ghost. In dystopian novella "Rock Manning Goes for Broke," teenage Rock performs dangerous stunts in classmate Sally's online videos. A few years later, Rock seeks out Sally in film school and they revive their productions with stunning political impact. A trans woman's consciousness is forcibly transferred into a male body in the fascist America of "Don't Press Charges and I Won't Sue," and even her childhood best friend, who runs the operation, refuses to help. Each tale immerses readers completely and effortlessly into the tense scenarios Anders imagines. The result is both rewarding and impressive.
